Fringe - "The Man from the Other Side" (2.18)


Before I begin, I want to advise those who have not yet seen this episode of Fringe not to read any further, as this entry does contain spoilers. The first comment that I have to make is simply, wow. This is an incredible episode and deserves and receives ten adorable shapeshifter embryos. I am hoping that the season finale is going to be even better, and although you'd think that it naturally would be better, since it's the season finale, last year, I thought that “The Road Not Taken” (1.19) was better than the finale, “There's More than One of Everything” (1.20). I even think that this episode is better than last year's finale. However, if the finale will indeed be better than this episode, then we are in store for one heck of a thrill ride because, as I said, I think that this one is a thrill ride. I am just so nervous that there are going to be senseless deaths, that they will senselessly kill Newton off just like they did Jones last year. I do have a lot of information about the finale, but I won't share it until the very end of this entry, in honor of those who wish to stay spoiler-free. What I will say now, though, is that due to the information that I have, my gut is definitely telling me that the finale will be even better than this episode. I will also speak briefly of next week's episode (“Brown Betty”) and the following episode (“Northwest Passage”), which are both going to be incredible, I think. There is a lot that confused me about this episode the first time that I watched it, and I'm still not sure if I fully understand everything, but all of that is to be discussed in this entry. Despite my minor confusions, though, like I said, this episode is epic on so many levels.

The kid near the beginning of the episode, who we discover is named Dave, is plain stupid. To put it bluntly, I would have run like hell, not try to poke the embryonic shapeshifter with a shovel. Like I said, that's just plain stupid. So, these two kids are chosen just because they happened to be in the wrong place at the wrong time, but why do the embryos end up in that warehouse when they cross over? Is that warehouse significant somehow on the Other Side? Is it, perhaps, where shapeshifters are created? Why didn't the third shapeshifter develop properly? I love how shortly after the team begins its investigation, Olivia asks Walter if he has ever seen anything like it (the undeveloped embryo, that is, which they don't know at the time), and he says that he has, since it reminds him of a bean bag chair that he once owned in 1974, which clearly frustrates Olivia. She then, much to my satisfaction, makes a connection to the nurse, and it's clearly difficult for her to say Charlie's name, which is so heartbreaking. I didn't understand the signal interference, though. I understand that the signal came from the Other Side, but why? What caused that to happen? I understand that it happened right around the same time that the shapeshifters crossed over and that it's therefore connected to that, but does this happen every time that a shapeshifter crosses over? Was it intended for Newton so that he would know what time the universes would be in sync? Why is time slightly out of sync between the two realities? Does it have to do with the fact that the two universes vibrate at different frequencies? Does this mean that when one crosses over, he or she is technically time-traveling, too?

How does the unnamed “female” shapeshifter get away with killing McAlister? The two of them are outside of a bank in broad daylight where a good amount of people would clearly witness a killing. Anyway, Astrid tells Peter that “Walter's convinced Newton wants to build a door to the Other Side,” and I don't understand what her reasoning is for saying this. Don't they know this already? That's why Newton naps Walter in “Grey Matters” (2.10), and Olivia reiterates it in “Jacksonville” (2.14) by saying that that is why the two buildings collided. We get an answer in this episode that was very difficult to receive, which is how Elizabeth Bishop died. She couldn't bear the guilt of having taken Peter from the Other Side, and she therefore took her own life, which is so tragic. Also, in this episode, Walter and Astrid once again say something in unison, which is that as they say in Finland, “there's more than one way to roast a reindeer.” They are so unbelievably adorable. My friend Sam, with whom I watched this episode on television, said that if Walter were a lot younger or Astrid a lot older, the two of them would make an awesome couple, and I had to laugh. What would those shippers be known as, Wastrids? I'm just going to say that it is most likely safe to assume that we aren't ever going to have to worry about finding out.

The scene in which the embryonic shapeshifter is brought to life is one of my three favorite scenes in the episode (the other two being the bridge scene and the hospital scene); it is incredibly creepy, and the lights purposely go out to add to that factor. I made the connection, as did David Wu (who is oddly featured in this episode), to
LOST, because the creature says “help me” much like Jacob (or whoever that was) does in episode 3.20, “The Man Behind the Curtain.” I would like to point out, though, that I find it odd how the team just happens to have candles and lighters right on hand; it seems a little too convenient for me. What makes this scene especially weird and creepy, though, is that the embryonic shapeshifter holds Walter's hand and apologizes, which is a big part of the reason why I think that the man from the Other Side, Mr. Secretary, is Walternate, although William Bell, alter-Jones and alter-Charlie briefly crossed my mind. I remain convinced, though, that it is Walternate who was brought over. Another reason that I find this episode to be incredibly heartbreaking is that, for the first time, Peter finally calls Walter “dad.” He says, “I want you to get some rest, dad.” I just about lost it during this scene, because Walter is incredibly nervous, and Peter comforts him and then calls him “dad,” and I obviously knew what was coming later in the episode. “We're going to figure it out just like we always do,” he says with a smile, which just wrenches my heart.

Now, I am not responsible for making this connection (the credit goes to someone in
The Fringe Podcast chatroom, and I unfortunately can't remember who), but, as has been briefly mentioned previously, it is discovered in this episode that the two universities vibrate at different frequencies, and so does the Beacon from episode 1.04, “The Arrival.” Is this related somehow? Does the arrival of the beacon have something to do with the Other Side? The last time, as far as is known, that a/the Beacon made an arrival was in 1987, which is two years after Walter opened up the doorway to save Peter, so it would make sense if the Beacon is related to the Other Side. It must somehow be traveling between the realities. Anyway, something that I am wondering is if Newton faked his death in order to get into the morgue because he knew he couldn't get Verona after Verona was apprehended by the FBI. He must have discovered that the FBI brought Verona in very quickly, because the scene directly after the FBI apprehends Verona is the scene in which Newton fakes his death. Either that's poor transition or I missed something. It isn't too long before the team discovers where Newton is planning to make his exchange, and Olivia realizes that it would make perfect sense for Newton to make the exchange on a bridge, since all of the water underneath the bridge would absorb the excess energy, and the look on Peter's face is priceless. It's like the look on his face asks, “How do you know that?” and the look on Walter's face is one of pure shame because, obviously, he knows how Olivia knows that.

I would like to say how loud I cheered when when Olivia shoots the cop directly in the head, only for us to see that the two cops are really shapeshifters (which I, along with Sam, kind of surmised, anyway). Wow, she is damn good, as we have seen time and time again. She immediately realized that they weren't really cops when one of them grabbed his cell phone to call his “sergeant,” because she knows that cops don't call their sergeants on their cell phones. During the scene on the bridge that follows, there is very little dialogue, which I think makes the scene even more effective and, as this episode as a whole is, epic. What I don't understand, though, is why they would allow Peter to stay on the bridge. They couldn't have known that he wouldn't be affected due to the fact that he's from the Other Side. Walter may have, since he seemed incredibly nervous, but there's one of two reasons for that. Either he didn't know that Peter would not be affected and therefore feared that he would disintegrate like the FBI agent does, or he knew that Peter would not be affected and therefore feared that Peter would find out that way. Regardless, though, Peter obviously does find out, and I have to discuss this scene because it is beyond epic. It honestly made me cry, because much like I do at the end of “The Road Not Taken” (1.19) when Olivia approaches Walter and bashes him for his involvement in the Cortexiphan trials, I just want to hug Walter and tell him that everything is going to be okay, even though I don't know whether or not that it will be okay.

When Peter wakes up, he sees Olivia standing there saying, “Welcome back.” What I don't understand, though, is that even though he is scowling at first, he then smiles, and his smile seems to be genuine. One could argue that since he obviously has feelings for Olivia, it is a genuine smile, but he is still smiling after Olivia leaves and Walter enters (completely giddy that Peter is okay, which makes what happens next even more difficult to watch). However, after Walter enters the room, Peter's smile quickly fades, so maybe the smile is just because he still has Olivia on his mind. Based on this scene, it wouldn't seem as if Peter has realized yet that Olivia has known and has kept it from him, so maybe he doesn't have any ill feelings toward Olivia quite yet, but I think that he will once he realizes that she has kept it from him, which I think he will realize. Anyway, this scene, especially since, as previously mentioned, this is the first time that Peter calls Walter “dad,” is heartbreaking and incredibly difficult to watch. I remember reading that John Noble said that the scene was difficult even to film, so I was expecting it to be heartbreaking, and boy, it sure is. I teared up when Peter says to Walter, “I am
not your son!” Walter, shaken and teary-eyed, leaves Peter alone at Peter's request and then, looking back at Peter one more time through the window of his hospital room, leaves. I swear, I choke up every single time I watch this scene. This is the third time that Fringe has made me cry, the other two times being the aforementioned scene between Olivia and Walter near the end of “The Road Not Taken” (1.19) and a great deal of “Peter” (2.15).

What doesn't make any sense to me, though, is why the vibrations don't affect people from the Other Side, why they don't affect Peter. Maybe that is something that will be explained later because I would really like to know. Plus, my understanding is that Newton was trying to exchange something, so what did he send to the Other Side? Now, the very last part of this episode involves two very short scenes, the first being the scene between Newton and Mr. Secretary and the second being the scene in which Olivia tells Walter that Peter is missing. I've talked about the first scene, as well my reasons for believing that Mr. Secretary is Walternate, already, so I'll move right along to the final scene of the episode. Walter insists on either being driven or calling a cab to the hospital at six in the morning, obviously because he needs to see Peter, either to try talking to him again or to merely ensure that he is okay. Then, however, Olivia arrives and tells Walter that Peter has checked himself out of the hospital and is not answering his cell phone, which causes Walter to start crying, and this is how the episode ends. I have very good reason to believe that Peter is up to no good, but as promised, I am not going to share that reason just yet, because I want to honor those who wish to stay spoiler-free, so if you're one of those individuals, then I appreciate your readership. Please, keep reading, and, in the meantime, I wish you farewell. As far as everyone else is concerned, though, this is everything that I know about the rest of the season.

Next week, obviously, is “Brown Betty” (originally titled “Overture”), a musical episode that will take place inside Walter's mind as he tells Ella a story, a story that takes place in the 1940s. The week after that is an episode titled “Northwest Passage,” and what I understand of this episode is that Walter is struggling with the possibility of returning to St. Claire's while Peter tries to find Newton. Now, I think that Peter will try to find Newton for one of two reasons. Either he'll simply want to ask him for help returning to where he belongs, or he will intend to join Newton and become a “bad guy.” The episode after that is the first part of the finale, and then, finally, on May 20th, season two will come to a close with the second part of the finale, titled “Over There.” In the finale, Olivia and Walter (and possibly Astrid) will cross over to the Other Side where they will meet their alter-selves (which is the
only reason why I am throwing alternate ideas in the air as to who Mr. Secretary is); also, Walter and Bell will finally face an epic confrontation, and lastly, Kirk Acevedo might return to reprise his role as Charlie; yes, that's what I said. The fact that Walter and Olivia will cross over, though, is why I say that it's possible that Peter will go there; that might be why Olivia and Walter cross over. I also know that it is likely that Bell will die, since Leonard Nimoy has retired, and it is also likely that someone else will die, too, someone important, but I don't know who. I am very excited, and in the meantime, stay on the fringe.

Fringe - "White Tulip" (2.17)


While watching this episode, I really began to wonder if Dr. Peck was an Observer when the woman at the diner says that she sees him come in all of the time, writing what appears to be a mathematical formula on napkins. This totally reminded me of episode 1.04, “The Arrival,” when we see September at a diner writing a strange code in a notebook, and my mind immediately made that connection, an incorrect connection, unfortunately. I really don't like making comparisons between Fringe and The X-Files; I'm sure that I have said that before, but at the same time, so many people do make comparisons, and some of them do so in order to debunk Fringe, which is exactly why it annoys me when the writers seem to make the comparisons so easy to make. I say all of this, because this episode really reminded me of episode 6.14 of The X-Files, an episode called “Monday.” In that episode, an unexplained time loop keeps occurring over and over again, something that Mulder eventually realizes, and each time, he has to try to remember what he has to do so that he doesn't die. Obviously, this is a bit different, but it does remind me a lot of it. I don't like the “time loop” idea; basically, almost nothing in this episode actually happened since it was all erased. It seems like such a pointless episode to me. In fact, I would give it a score lower than a six, but I do really like the dialogue between Walter and Dr. Peck, even though it technically doesn't really happen by the end of the episode, which I also like (the end of the episode, which involves imagery of the white tulip symbolizing forgiveness, that is).

Basically, every time that Peck goes back to an earlier point in time, he uses a great deal of energy, which kills people since it drains every bit of energy from them. It also creates a new line of events, and I hate that. How long has he been doing this, I am led to wonder, and how many people does it affect? Does it change the entire world or only the area that his time travel affects? Does the whole world go back in time with him? He lost his wife ten months ago, but how long has he been time-traveling? Is the train the first incident? At one point in the episode, Olivia says that she is experiencing Deja Vu but doesn't seem to know why. At that point, I really wanted one of them to make a connection to the alternate reality, since they have been told before that that is what Deja Vu is caused by, that you feel like you have been somewhere or done something before because in another reality, you have. Obviously, this episode involves time travel, not dimension-hopping, but I still would have liked the connection to have been made. Truth be told, I would have much rather that this episode be directly related to the alternate reality as opposed to time travel, that Dr. Peck was somehow traveling to the Other Side to steal his fiancée, just like Walter did when Peter was a young boy. I do appreciate the parallels being made, though, such as Walter guiltily saying that “grief can drive people to extraordinary lengths.”

Walter can be seen eating a Twizzler in this episode; fortunately, however, he is not eating it while conducting a rather bloody autopsy (in reference to episode 2.01, “A New Day in the Old Town,” the season two premiere). If you have seen promo pics of the upcoming musical episode, “Brown Betty,” (2.19), then you know that in that episode, Walter apparently shares Twizzlers with Ella, so I think that it's safe to assume that he really likes Twizzlers, so much so that he can't resist them even when eating is not, by any means, a sanitary activity in which to be taking part. Also, speaking of Walter, he is once again taking affirmative action, just like he does in “Johari Window” (2.11) and “The Bishop Revival” (2.13); this time, of course, he wants to talk to Dr. Peck privately in order to try to convince him not to carry out his plans of going back in time. I have to say, though, that I really like Dr. Peck. He is not a murderer; I don't think that he intentionally killed people. In fact, I don't even think he realized that people would die as a result. I don't think that he even intended to end up on that train; he just didn't solve the formula correctly, and ultimately, he just missed his fiancée, and like Walter says, his grief drove him to “extraordinary lengths,” and he ended up dead because of it.

My point, though, is that Peck doesn't come off as purely black; he is gray. We like him, and we feel sorry for him, and although we hopefully don't want innocent people dead, we want him to find his love again. At the same time, though, we don't approve of his immoral decisions, and a parallel is definitely drawn there between Peck and Walter, since Walter obviously went to “extraordinary lengths” to save Peter, which ultimately resulted in the theft of Alter-Peter from the Other Side. I can't believe that Walter so openly tells Peck, though, about Peter being from the alternate reality. Perhaps, he figures that Olivia knows and Peter will soon know, so there isn't much of a purpose in being totally and completely secretive about it anymore. It makes me wonder, though, if Peck is already aware of the alternate reality, since he doesn't seem to be very surprised when Walter tells him that he stole Peter from an alternate universe, and I love what Peck tells Walter, that “God is science.” That is probably my favorite line of the episode. Discussing the imagery of the white tulip, though, before seeing this episode, I had no idea why it is called “White Tulip.” In fact, I couldn't remember, for the life of me, what kind of flower the Flower Glyph is, so I had to do my homework to remind myself that it is a sunflower, not a white tulip. Apparently, though, as I briefly mentioned previously, the white tulip signifies forgiveness, which obviously relates to Walter hoping that Peter will be able to forgive him.

Well, I am going to talk very briefly about next week's episode of
Fringe, so if you're someone who prefers to stay totally and completely spoiler-free, then thanks for reading, but don't read any further. Next week's episode, which I'm sure most everyone knows, anyway, is titled “The Man from the Other Side,” and Newton will be back for this episode. Also, based on what I saw from the promo, it looks like Peter is finally going to find out that he is from the other reality. Obviously, if you have seen the promo, then I am giving you useless information, but I am giving it primarily to benefit those who have not seen the promo but don't mind being spoiled. Next week's episode, anyway, looks like it is going to be beyond epic. Before I leave you, though, I want to share some discoveries that I made today regarding character names. According to a baby names website that I found, “Peter” means “stone or rock,” and that, unfortunately, doesn't mean a whole lot to me. However, it gets a lot more interesting. “Olivia” means “elf army,” which could relate to the fact that she made up an army of children when being given Cortexiphan as a young girl. “William” (referring to William Bell, of course) means “protection,” Nina means “mother,” and this last one is the best one, in my opinion; “Walter” means “ruler of the army.” Does his name confirm the theory that Walter is running the show from the Other Side? Only time will tell, but in the meantime, stay on the fringe.

Fringe - "Olivia. In the Lab. With the Revolver." (2.16)


I will start by saying that since this blog entry does contain spoilers, you should not read any further if you have yet to see this episode. Okay, so, I instantly made a connection to Cortexiphan as soon as Miranda Greene says to James Heath that she is trying so hard to remember him, and he says that since they were just kids, he understands, especially since Greene then goes on to ask him if childhood is when he thinks that he was exposed to something. This first scene, involving Greene's breaking out in puss-filled blisters, is simply disgusting, and saying that says quite a bit, since we have seen some truly disgusting content on Fringe. Anyway, I am very happy to have seen Sam again, and I hope that he will be back at least one more time before the season is over. Olivia tells him in this episode that Sam once told her after her car accident (referring to episode 2.03, “Fracture”) that she “would experience things,” and that now, she is, but I wonder to what she is referring. It doesn't seem to me like she is merely referring to her insomnia because I would think that she'd know why she isn't sleeping. Anyway, Sam tells her that she has “officially gone beyond my field of expertise,” which raises another question; what is his field of expertise? What exactly does Sam do? He tells her that he's older than he looks, which would make sense if he helped Nina grow accustomed to her mechanical arm, but he has to be more than just “a frustrated psychologist,” as Allan Pang, also known and probably better known as XeroPhytes, says.

There is a great deal of tension between Olivia and Walter in this episode and even more between Olivia and Peter, which I think is where the title of this episode originates. Obviously, it is a
Clue reference, and Clue is everywhere in this episode, from the wrench that we see Sam using near the beginning of the episode, to the rope that we see on Walter's desk in the lab, and to the candlestick that Olivia uses near the end of the episode to defend herself from Heath's attempts to exchange his Cancer with her. The title has a deep meaning, though. Olivia is indeed standing in the lab with that revolver, a weight in her hand tempting her to pull the trigger, an act that would result in the death of a family. That weight is not fair, and I do feel terribly sorry for Walter, so don't get me wrong. “Things have never been better between us,” he tells Olivia. “I can't lose him again. I can't. He will never forgive me.” This is incredibly heartbreaking, but it's also very difficult to watch Olivia struggle with this dark secret, especially when Peter is so excited to go on this “road trip” with Olivia, and the look on Olivia's face as she glances back at Walter before leaving screams so much pain and confusion, and I feel so sorry for her. If it has never been clear before now, it is definitely clear now that at the end of episode 2.08, “August,” December is talking about Olivia when he says that “it's a shame that things are about to get so hard for her.” I surmised as much at the end of episode 2.14, “Jacksonville,” when she first discovers the truth of Peter's origin.

The tension between Olivia and Walter is clear right near the beginning of the episode when Walter says to Peter (telling him a story of his childhood that probably isn't really
his childhood), “By the time you got to the bottom, your testicles were in your mouth,” referring to a skiing trip. Olivia then appears, and Walter, averting his eyes away from her in a very guilt-ridden fashion, says that he is sure that Agent Dunham is not interested in hearing about Peter's childhood. I don't understand, though, why he calls her Agent Dunham. Peter does during this scene, too, and it doesn't make any sense to me. It seems to me like the three of them have been working together long enough that they should be on a first-name basis, and usually, they are. Olivia almost always calls Walter and Peter by their first names, and usually, they call her Olivia, but sometimes, such as this time, they call her by her last name, and I don't understand that. Anyway, moving on, very shortly after, Walter says to the doctor who tells him that he took a class that Walter taught, which inspired him to stick with his motivation to become a doctor, that “when you open your mind to the impossible, sometimes, you find the truth.” I love this line; it's probably my favorite quote of the episode, and of course, The Fringe Podcast did not nominate it for Quote of the Week. I definitely would have nominated it; not all memorable quotes, after all, have to be funny, and they aren't always.

This episode also refers to INtREPUS Pharmaceuticals, which is a nice tie-in to episode 1.06, “The Cure,” by mentioning it as a lawsuit which Miranda Greene was pursuing prior to her death. The episode also shows a scene in Hartford, Connecticut, which excites me, because even though I know that that wasn't Hartford in which the scene was filmed, I have been to Hartford before. I went there in 2007 to see my favorite band, Evanescence, perform live, so it is really cool for a scene of
Fringe to have taken place somewhere where I have been (Syracuse is mentioned in episode 1.10, “Safe,” which is very close to where I live). Anyway, though, returning to the tension between Olivia and Peter, the second car ride scene is probably the best example. It is so adorable that Peter thinks that the reason why Olivia has been acting so strangely around him is because they almost kissed in Jacksonville. He goes on to say, though, that “this thing that we have, you, me and Walter, this little family unit that we got going, I don't want to do anything to jeopardize that.” Now, I would like to comment that he leaves Astrid out of his statement, which I think is utterly ridiculous, since Astrid is definitely a part of their “family unit.” Olivia, though, says that she doesn't want to, either, which is so bitterly ironic, because that is something with which they both agree, but their reasons are different, and now, indirectly, Olivia is also being pressured by Peter not to share his secret with him, which only makes that revolver even heavier; again, it is so heartbreaking.

Olivia is drinking quite a bit again, which is probably related to her high level of stress, and it definitely doesn't appear as if Rachel is living with her anymore. In fact, it would appear as if Olivia has moved. Now, obviously, we all know why that is. She can't possibly live in the same residence, since the show is filmed in a different location, but I'm saying that inside of the
Fringe circle, it would appear as if she has moved. Sam then shows up after midnight to play a game of Clue with Olivia, and he has a very interesting conversation with her. He tells her that her being “a military brat” would explain her bland clothes, since what she does is more than just a job for her; she is a soldier. This is an interesting view, especially since he uses the word “soldier.” Does he know, I wonder, or is he making a completely innocent observation? I would think that since he knows about the alternate reality, he knows about the effort to cultivate soldiers, so I don't know. In episode 1.17, “Bad Dreams” (to which this episode has a lot of tie-ins), we learn that the bland colors are to blend in, which could be what Sam is implying; I don't know. Again, though, he tells her that he is older than he appears and also taller than he appears, the latter of which doesn't seem to make much sense, but, of course, at a point which we were probably going to learn more about him, Olivia interrupts him by having a House-esque epiphany, which is that the case is linked to the Cortexiphan trials, a point which pumps the episode up to a whole new level.

Olivia then goes to see Peter in order to tell him about her realization, and when she and Peter walk into the kitchen where Walter is making saltwater taffies as well as puss pizza, it is clear that Walter is immensely worried; he thinks that Olivia has told Peter about who Peter really is, but, of course, she hasn't, and Nina, the next day, somehow convinces Olivia not to tell Peter in yet another epic scene between Olivia and Nina. Forgive my French, but Nina is such a manipulative bitch, and she does nothing to hide it during this scene. Olivia, very angry with Nina (for, as she tells Walter and Peter, she doesn't believe that Nina is always very forthcoming, which I find really funny), tells her that she knows the whole story about Peter and that she is going to tell him, but Nina bluntly says, “No, you won't,” which makes me laugh hysterically, mainly because of the manipulative tone of voice that she uses when she says it. I then find it even funnier when Olivia asks Nina what makes her so sure that she won't tell him, and Nina, using the same manipulate tone of voice, says, “Because you haven't told him yet.” Nina then says, “You didn't come here today to ask me about a list that you already knew I don't have, and you didn't come here to announce that you're going to tell Peter who he really is. You came here to have me talk you out of it.” Like I said, she is a manipulative bitch, and I love it. Scenes between Olivia and Nina are always so intense, such as the one near the end of episode 1.09, “The Dreamscape,” one of my favorite season 1 episodes.

Somewhat close to the end of the episode, Peter praises Walter and says, “Well done, Walter,” and Walter guiltily says, “Thank you, son,” and exchanges an awkward glance with Olivia. This is about as far as the tension goes, though, since, by the end of the episode, Olivia agrees not to tell Peter, even though Walter thanks her but says that he has to tell Peter so that he can start correcting the mistakes that he has made in his life (even though I am sure that he isn't really going to tell him right away). Anyway, the fight scene between Olivia and Heath near the end of the episode is beyond intense, and my heart was rapidly pounding throughout the entire scene. I was, in fact, doing my usual when television gets me excited, which is talking to and yelling at the characters. She finally does take him down, though, and he is put into a drug-induced coma (just like Nick Lane). Anyway, the last part of this episode that I want to discuss is the memorable Polivia scene in which, after having come to her rescue, Peter asks Olivia why she didn't call Broyles, and that is so adorable. It is clear that she has to think about it before telling him that he is on her speed dial, and she then thanks him for coming. They are so adorable together, and hopefully, by the end of this season, their relationship will make its way to even further heights. It will be difficult for that to happen, though, with Peter finding out who he really is (which is bound to happen very, very soon) and most likely being very angry with Olivia for keeping it from him. Anyway, this is a fantastic episode, and I give it 9.5 games of
Clue.

Fringe - "Peter" (2.15)


After a very painful two-month wait, Fringe returns with “Peter” (2.15), the highly anticipated episode that finally reveals the mysteries involving Peter's childhood. This episode easily receives ten silver dollars from me because as I expected it would be, it truly is amazing. It's exciting to be getting so many answers at once; it means that there is so much more of a story to tell that has not yet been revealed to us. I am imagining that the season finale, which by the way (mark your calendars), airs on Thursday, May 20th at 8/7c on FOX, is going to introduce a great deal of new mysteries while also solving quite a few, and I am really looking forward to it. I actually already have some information regarding the season finale, but for the purposes of those who want to stay completely spoiler-free (since the information that I have is, in fact, pretty major), I will not share any of that information at this time. What I will share, though, are some thoughts about this episode, “Peter.” As per usual, though, if you have not seen this episode yet but would like to see it, then please, don't read any further, since this does contain spoilers.

I speculated quite some time ago that Walter had some sort of involvement with the U.S. Army, mainly because it is
repeatedly hinted at during season one, and here, in this episode, that speculation becomes more than just speculation. It becomes fact, since Walter was indeed heavily involved with the U.S. Army, as is shown in the very first scene of the episode. I had to laugh when he showed the cell phone to them, explaining that it was technology from the alternate universe. At this point, we have been led to believe that the other side is slightly more advanced than this side, but if in 1985, the alternate universe had access to cell phones, then I would definitely say that it is a lot more than just slight advancement. When Walter shows the U.S. Army the alternate Manhattan (or Manhatan), a zeppelin can be seen in the sky, and obviously, the purpose is to give us a clear visual of how the other side is more technologically advanced than our own. Until now, we have only heard about the other side being more technologically advanced; we have not actually seen it. A zeppelin is also seen at the very beginning of the scene involving the Observers outside of the movie theater.

As I think that I have said before, I think that the Blight on the Other Side is because of its advanced technology. I think that the Other Side's technology has advanced to such an extent that it is destroying its environment. That is one of two theories that I am finding plausible right now. My other theory is that the Other Side's Blight is the result of this side's handiwork, that we are indeed winning and that that is why the Other Side is going to such extremes as cultivating Super Soldiers. I think that the first theory discussed here is more likely, though; that is the one with which I am sticking. First of all, the Other Side's technology is more advanced that this side's, and second of all, based on the ending of episode 2.07, “Of Human Action,” it is very likely that this side is creating its
own soldiers, which is what I think that the Cortexiphan trials are. They don't seem to be as strong as the Super Soldiers from the Other Side, though, which returns to the fact that the Other Side's technology is more advanced than this side's technology, and for both of these reasons, I don't see it as being very likely that this side would have the high ground. I think that both are at least somewhat sound theories, though.

Then, of course, I was incredibly surprised by the new opening. For a short while, I didn't realize the point, which is that it is supposed to give you a retro 80s feel, since the majority of the episode takes place in 1985. I think that it was a really cool and creative idea, and kudos goes to whoever had the idea. Fringe Sciences named during the opening are Personal Computing, Cold Fusion, DNA Profiling, Nanotechnology, Cloning, Invisibility, Genetic Engineering, Laser Surgery, In Vitro Fertilization, Virtual Reality and Stealth Technology. What I find really funny about most of these sciences (I am not familiar with all of them) is that in the world of 
Fringe, they would not be considered Fringe Sciences in 2010, but in 1985, they would have been. Even in real life, DNA Profiling and Nanotechnology are far from being a Fringe Science. It is also worth mentioning that the hand in the opening only has five fingers, as opposed to the usual six fingers. I didn't like it at first, the new opening, that is, but now, I have really warmed up to it. For the purposes of this episode, I think that it really works well.

Throughout the episode, I was consistently wondering to myself whether or not Carla Warren is the lab assistant that was killed in the fire. I remembered Jessica Warren but couldn't remember her name, so I recently did my homework on 
Fringepedia only to find out that, of course, she is indeed Jessica Warren's daughter, which means that, yes, she is the lab assistant that was killed in the fire. I wonder if we're going to see more flashback episodes in the future, such as an episode, for example, that shows us how Carla died, or how Elizabeth died, for that matter. I am definitely game for such episodes, because they are mysteries that I want solved eventually. This episode also makes me think a lot about Nina. Obviously, we now know that she never had cancer, or at least that cancer is not what took her arm. In the pilot episode, she lies to Olivia about that, and I think that that is for one of two reasons. Either she was intentionally keeping Olivia in the dark (which she has done before), or she made some sort of deal with Walter to keep what happened a secret. I don't know which flavor of Kool-Aid I'm drinking, but, again, I think that both are sound theories. I also wonder about her position in this episode. Massive Dynamic obviously has not been established yet, so what exactly is Nina's position?

In an episode of
The Fringe Podcast, speculation was raised that possibly, Walter was a better father to Peter on this side than he was on the Other Side, and I think that this episode confirms that theory. On this side, Walter has a conversation with Peter directly before Peter dies, reminding him how to perform the silver dollar trick, and this conversation clearly displays a very loving relationship between the two. On the Other Side, however, a very similar conversation takes place later in the episode, but this time, the conversation is between Elizabeth and Peter, and it once again involves the silver dollar trick, which tells us that on the Other Side, Peter was closer to his mother than he was to Walter. It totally explains why Peter used to say that Walter was not there for him as a child. Was Walternate (previously referred to as alter-Walter by most fans) not there for his son on the Other Side the same way that he was on this side because Walternate worked so hard to develop a cure, harder than this Walter did since technology is more advanced there? The main point that I have to make about the scene between Elizabeth and Peter, though, is that it would have been such a good opportunity for the writers to make use of the Greek phrase alluded to in episode 2.01, “A New Day in the Old Town,” the phrase that translates to “be a better man than your father.” I would have liked Elizabeth to have said that to Peter in this scene just to make the tie-in, and I feel like it ended up being a wasted opportunity.

So, Walter pretty much started the war, or at least the Pattern. I think that it is funny (not haha-wise) how Walter says to Olivia at the end of the episode that the incident was “the first crack in the pattern of cracks in the places between the worlds,” and I wonder if he means this literally. Is he aware that he is responsible for so much chaos? I mean, it is very interesting how he uses the word “pattern,” after all. He says to Olivia near the beginning of the episode that “I always knew that one day, I'd have to pay the price for my deception,” and wow, there is indeed a great deal of deception. He lied about the time travel machine. He tells Peter during a season 1 episode that when Peter was young, he became very sick and that he therefore built a time machine in order to find a doctor in the future to help him find a cure for Peter but that Peter miraculously recovered. Obviously, this is a lie. I do find it interesting, though, that apart from Peter's miraculous recovery, most of what Walter says is skewed truth. Although he obviously did not build a time machine, he did try to retrieve help from a doctor (himself), and even though it wasn't exactly the future, the Other Side is more technologically advanced. He also lied about the details of the ice incident, saying that their car went off the road. I am surprised, however, that he does mention September to Peter.

Speaking of September, I love how December and August walk out of a movie theater after having seen
Back to the Future (since the Observers are not limited by the constraints of time), and then, while the two of them discuss the movie and whether or not what it has to offer are theories or entertainment (which, by the way, thanks to The Fringe Podcast, I now know definitely takes place in the alternate reality, since Back to the Future, in this reality, stars Michael J. Fox, not Eric Stoltz, who was originally supposed to play the role), they drink what appears to be Slusho, J.J.'s favorite frozen drink. It's strange, though, that they would be drinking Slusho when normally, they eat incredibly hot food, but I don't really know what to make of that. In the background of the scene, a Clue movie poster can be seen outside of the theater, and I am wondering whether or not this serves as this episode's hint at the next episode, since the next episode is titled “Olivia. In the Lab. With the Revolver.”

Something else about this scene that I really find it crucial to mention is that it is so ironic that August reprimands September for getting involved by distracting Walternate, because, as we know, in reference to episode 2.08, “August,” getting involved is exactly what August will do twenty-four years later, only to be reprimanded by September. Near the end of the episode, after September saves Walter and Peter from drowning underneath the ice, before September tells Walter that Peter is important and therefore must live, he says exactly what Walter says at the exact same time, something that we have seen the Observers frequently do, and as I am sure I have said before, I wonder why they do this. Also, do both the conversation that the three Observers have outside of the movie theater and the aforementioned conversation that Walter and September have after Walter and Peter are saved confirm that there are not alternate Observers, that they are not only not limited by time but are also not limited by a single dimension?

Lastly, I would like to discuss the alternate Elizabeth Bishop. I really do feel terrible for her, both for her and for Walternate. I can't even begin to imagine the scenario on the Other Side. Walter most likely came home from the lab, and obviously not having Peter with him, was incredibly confused by Elizabeth's certainty that he had, in fact, taken Peter with him to administer a cure, a cure of which Walternate would have no knowledge. I wonder, though, if Walternate was aware of this universe at the time. I think that it is plausible, since this Walter was aware of the alternate universe, and if so, then I wonder if alternate Elizabeth was aware of it, as well. If they both were, did they come to a conclusion as to what happened? I am certain that Walternate did, so certain, in fact, that I remain convinced that Walternate is doing everything in his power to get his son back, perhaps even initiating war. Who would have guessed? How ironic would that be? Walter acted, and Walternate reacted, therefore beginning a war between the universes. That is a theory that holds high merit for me, because I am very confident in it. Let's not forget the scene in episode 1.08, “The Equation,” when Walter seems to see himself at St. Claire's, because I think that that was a big hint that which we were supposed to catch.

Anyway, though, it is so heartbreaking when alternate Elizabeth says to Walter, “Bring him back to me,” to which he replies, “I promise,” and then, when she looks out the window at the two of them leaving, that is the very last time that she ever sees Peter. It's very difficult for me to watch that scene. What most surprised me about this episode, though, is that we learn that Peter being from the Other Side was not solely Walter's fault. Walter's intention was only to administer the cure, not to keep Peter on this side. It was Elizabeth, however, who could not stand the thought of losing Peter again, and the look on her face when Walter tells her that he is not theirs and that he therefore has to take him back says it all. There was simply no way that she was going to allow Walter to do that. Like I said, though, this is an incredibly impressive episode, and it marks the only time so far in
Fringehistory that I have given two episodes in a row perfect scores of ten, the previous obviously being episode 2.14, “Jacksonville.” As I have said, the remainder of the season has been described as a “roller coaster” ride, so I am really looking forward to what is to come. The titles of the next four episodes have been announced and are, respectively, “Olivia. In the Lab. With the Revolver,” “White Tulip,” “The Man from the Other Side” and “Overture.”

In case you have not yet heard the news about any of these episodes, I will talk about what I know, but if you are afraid that I am going to say something that will spoil you by saying more than you want to know, then please, don't read any further. The next episode will involve people suddenly dying of diseases that they never had, and Olivia will vehemently struggle to keep Peter's origin a secret from him. I don't know anything about “White Tulip," and I know very little about “The Man from the Other Side.” I am guessing, based on the episode's title, that it has to do with the alternate reality. “Overture” is going to be a fun ride; that's for sure. The episode will be about Walter telling Ella a bedtime story, a story which we will see, and as a result, the episode will be a musical episode, so
Glee is going to have to step aside and make room for Fringe for just one week. Then, there will only be two episodes left until the finale, during which a supposed epic confrontation between Walter and Bell will take place. I am also thinking that Peter will learn the truth regarding his origin in the finale and will, as a result, leave the team. It's going to be epic, and I think that it is going to be even better than last year's finale. Meanwhile, though, stay on the fringe.

Fringe - "Jacksonville" (2.14)


This episode, next to the season 2 premiere, “A New Day in the Old Town,” is probably my favorite episode so far this season. In fact, I know that it is. I love the Cortexiphan-driven episodes, and we haven't had one since episode 1.19, “The Road Not Taken,” if I am not mistaken. I mean, I think that Tyler, in episode 2.07, “Of Human Action,” is being given Cortexiphan and that that is why he can control minds. I mean, let's not forget that Nick Lane, in episode 1.17, “Bad Dreams,” has a somewhat similar ability, and let us also not forget the closing scene of “Of Human Action,” during which Nina is seen communicating with Bell on an ancient computer, telling him that the trials have been a success but that Tyler has demonstrated an unexpected ability. I think that the Cortexiphan trials are still being administered and that, as I believe that I have said before, Ella is being exposed to them, of which Rachel is fully aware. Anyway, I think that “Of Human Action” may have been a Cortexiphan-driven episode, but this is the first one since “The Road Not Taken” that has centered on Olivia, and I love those episodes. Plus, as a bonus, this episode is also heavily concentrated on the story involving the alterverse, and I love that story, too. If you have not yet seen this episode but would like to see it, then please don't read any further, as this entry does contain spoilers.
 
The episode begins with a misspelling of Manhattan, only using one T instead of two, and I think that that is intentional. It is not something that I realized at first. David Wu (the genius behind the Fringemunks project) pointed out the misspelling in a tweet, and at first, I was very annoyed by the misspelling, because I assumed that it really was a mistake. Then, I Googled the word “Manhatan” and discovered that it did exist, that it was the name of some company or something to that effect, so I tried to reason that perhaps, Manhatan was the name of the building, the name of the company. However, when I listened to the episode of The Fringe Podcast that discusses this episode of Fringe, I discovered that the “misspelling” is a way to clue us in to the fact that this opening scene is taking place in the alternate reality, which I think is kind of cool. Even with the woman seeming to be overly excited by the fact that Pratchet (a name that I find interesting, since it is normally spelled with two Ts at the end, but, like Manhatan, a T seems to be missing) has coffee (which, to me, is indicative of the Blight to which Newton refers in episode 2.10, “Grey Matters”), I probably would not have realized that the scene takes place in the alterverse, and, of course, I didn't anyway, but my point is that I definitely would not have if that misspelling had not been there, not right away, anyway. Also, I definitely agree with the podcast in regards to the hand sanitizer. There has to be a reason why Pratchet is seen cleaning his hands with hand sanitizer when he is first seen; that doesn't seem like something that would senselessly be thrown into the scene.

Once again, Olivia seems to be unusually cheery in this episode, near the beginning of it, anyway. She and Peter talk on the phone, and Olivia seems to be experiencing a fit of humor as she tells Peter that he should congratulate himself since he just won an all-expense paid trip to New York City, to which Peter, being Peter, wisely replies that he wants Olivia's “people” to take his name off their list. I know that it probably seems like a relatively insignificant scene to mention, but I mention it, because as I said, it demonstrates a fit of glee within Olivia, which we don't see too often. As I am pretty sure that I have said before, it seems to be Peter that brings this part of her to light, which says something about their relationship. Anyway, moving on, I really like the tie-in to the season 1 finale “There's More than One of Everything" when Walter asks Pratchet about what was destroyed during the 9/11 attacks, and he replies by saying that the Pentagon and the White House were hit. The final scene of season 1, of course, shows us the World Trade Center still perfectly standing tall. Since the newspaper article on Bell's desk in that scene announces that the Obamas are moving into the new White House, I think that we basically already assumed that the White House was struck instead of the Twin Towers, anyway, but it was very cool to have it officially confirmed.

During the scene in which Astrid is going through the objects found at the scene, asked by Walter to see if she sees anything that looks like it might not belong, there is definitely a line of foreshadowing planted into the scene that I did not notice until The Fringe Podcast pointed it out. She tells Walter that it's so sad that as far as Pratchet's wife on the other side will ever know, Pratchet just disappeared, to which Walter admits that yes, it is sad, indeed. You can clearly see the pang of guilt on Walter's face as he thinks about what Astrid just said because that is exactly what Walter did to alter-Peter's family, causing their son to just suddenly disappear, which is kind of ironic if you think about it. In both realities, Walter loses Peter, but the difference, of course, is that in the other reality, Walter doesn't get him back, which is why, as I have said before, I'm sure, I think that alter-Walter is behind everything. In episode 2.13, “The Bishop Revival,” Walter tells Olivia that there is nothing that he wouldn't do for his family, and since he made such a bold move in this reality to get his son back, it is far from being illogical to assume that he would make a bold move in the alternate reality, even if it involved starting war. Wouldn't that be bitterly ironic? The Walter from this reality starts the war by stealing alter-Peter, and alter-Water starts the war by retaliating, Walter ultimately being the cause of the war in both realities. I think that the irony is so magnificent that it is bitter.
 
Also, when Walter tells Olivia that she once had the ability to see objects from the other side, I thought that it was really interesting that Olivia was the one who called what she saw as a result “the glimmer.” I don't know why that I find that interesting, but I do. For starters, I'm not sure why she called it a “glimmer,” exactly. A “glimmer” is kind of like a glow or a shining, and if what she saw as a child is the same as what she sees the hotel doing and what she sees Peter doing at the end of the episode, I wouldn't really call that a “glimmer.” The hotel is more like a blinking, and Peter is just kind of blurry. Also, is what Olivia sees the same as what Rebecca sees when she sees Peter near the end of “Momentum Deferred,” episode 2.04? Did Walter give Rebecca Cortexiphan? If so, I thought that it is intended for young children. If not, then what exactly did he give her? Also, this scene is totally a return to the pilot episode, when Olivia impulsively agrees to allow Walter to experiment on her due to her ambition despite Peter's objection, which I think is definitely intentional, the tie-in, that is. I imagine that, like Alias, there will be a lot of sentimental tie-ins to earlier episodes throughout the series as a whole.

So, what is the significance of 5-20-10? Well, apparently, 5-20-10 is the date of the season finale, so is that significant at all, I wonder? Now, as far as the Jacksonville Daycare Center is concerned, what I don't understand is how Walter knows that there are sixteen items in the room that are from the other side, and as someone in the podcast has pointed out, his eyes briefly shift to Peter when he says this, so is he including Peter in that count? Also, I think that it would have been really effective if, on the wall with her name, Olivia also saw Nick L. This would have made reference to Nick Lane, which I think should have been done. I agree, by the way, with whoever within the podcast community pointed out that Walter looks somewhat like William Bell when he puts his old pair of glasses on and looks at his reflection on a tray. After that scene, Olivia is seen outside of the daycare talking to Peter on the swing-set and says that she can't make any sense out of why she can't remember anything about the trials. Is she, like Peter, from the other side? I don't think so, but it is at least worth throwing out there. In episode 1.14, “Ability,” Jones tells Olivia that it wouldn't be expected that she'd have heard of Cortexiphan, so was she, along with everyone else, conditioned to forget? Just as a side note, by the way, during that same scene, glyphs can be seen outside of the Daycare Center (the flower, the butterfly and the hand), and also, the part of the wall where Olivia once sat after having set the room on fire seems to be in the shape of the core of an apple, noticed by none other than my brother Cody.

I additionally don't really understand the forest scene. Is what Olivia experiences a scenario created by her mind, or is it a memory being visited? That really confuses me. Also, is the red liquid being given to her through an I.V. drip Cortexiphan or not? Walter chooses to ignore Olivia's inquiry as to whether or not that it is, and neither Olivia or Peter press him any harder about it, so what is it exactly that was given to her? I actually saw a promo pic from Fringe Bloggers, I believe, that shows Olivia chasing a little blonde girl through a forest, whom we now know is a young Olivia, and my friend Loren suggested, weeks before the episode was actually aired, mind you, that it is indeed a young Olivia, about which she was correct, so I was expecting her to say either Olivia or Olive when Olivia asks her what her name is. It wasn't any surprise to me but was still very cool to have the speculation confirmed. I also wonder why young Olivia's eyes suddenly become so strange (see headlining photo). My friend David and I both screamed, because it is so unexpected, but I don't understand why it happens. Is it perhaps meant to represent Olivia's inner fear, fear with which she needs to become in touch so that she can demonstrate her ability/ies? Beyond that, I can't think of any logical reason why that was thrown in there. It certainly works as a scare tactic if nothing else.

The final observation that I want to make about this scene is that when Olivia confronts Walter (for the second time, the first being near the end of episode 1.19, “The Road Not Taken”) about what he did to her and other young children, it really reminds me of Alias, how Sydney reacts to her father, Jack, when she discovers the existence of Project: Christmas, a somewhat similar project to the Cortexiphan trials, during which young children are subjected to conditioning that will, later in life, make them good spies for the government, of which Jack was administering to Sydney as well as other young children. I just figured that I would point out that tie-in. 
This episode also has its somewhat frequent “47” shout-out when it is mentioned that there are still 147 buildings in Manhattan of which the mass still needs to be determined, and I immediately caught that my first time watching the episode; I always do.There's also a rather obvious shout-out to LOST in this scene, since we are on the subject of J.J. crossings, a couple of them, in fact. Firstly, Olivia opens her eyes up in the forest, and the camera shows us a view of the trees from the ground, just like what we see when Jack first opens his eyes in the pilot episode of LOST; the positions of the trees are even slanted in the same way. Also, the trees rock back and forth, and a strange noise is heard, very similar to what happens when the Smoke Monster is around.
 
It is nice to see Nina Sharp again, even if it is not for very long. We haven't seen her since episode 2.07, “Of Human Action,” if I am not mistaken, at which point, we see her communicating with William Bell via a ridiculously old computer, telling us that there are a great deal of people to whom and a great deal of activities and knowledge about which she has been far from truthful. Now, I apologize, but I have to talk about the Polivia almost-kiss. You know what it really reminded me of? It reminded me of the scene in the first X-Files film, Fight the Future, when finally, Mulder and Scully are about to kiss when Scully feels that damn bee sting her neck. Olivia and Peter are finally about to kiss, but Olivia realizes that she's scared (which she knows means that her ability to see “the glimmer” has been activated) and runs off. Something about which I have been wondering is if maybe Peter getting so close to her (both physically and emotionally) and then leaning in to kiss her helped set off her fear, since she is not used to being in a vulnerable position, especially romantically (after what happened between her and John Scott, I don't blame her). I'm almost certain that that has a lot to do with it.
 
The scene near the end of the episode with the building finally being sucked into the other dimension is absolutely epic, and what's even more epic about it is that as epic as it may be, it's merely a nod at how epic the show is going to get. This was only a building, but what happens when cities start to collide? There is something that I don't understand about that building, though, and hopefully, someone can help me make sense of it. That building is this dimension's building being sucked in to the other dimension, correct? Well, if that is correct, then how does Olivia see “the glimmer” if her ability is to see “the glimmer” on objects that are from the other side? That didn't make any sense to me the first time that I watched the episode, and it still doesn't make any sense to me. Also, how did conspirators keep what happened under tight control? I mean, obviously, we briefly see the news coverage on television, saying that the event was an “unscheduled, controlled demolition,” but what about the people that were actually there to see what happened? Were they brainwashed, or do conspirators just figure that no one is going to believe such a ridiculous account? What about the FBI report? Does that tell the truth, and if so, why doesn't that have any credibility? Who are these conspirators, and why do they seem to have so much control?

Why does Olivia lie to Broyles? He asks her what finally triggered her ability, and she says “time,” which we know is not true; it's fear. I didn't understand the purpose of her lying, but lastly, anyway, I, have to talk about the final scene of the episode, which finally involves someone
knowing about Peter's origins. Now, as opposed to Astrid suspecting that something is wrong, Olivia knows for sure, and now, the question is what she is going to do with this knowledge. Obviously, the relationship between her and Peter has grown to new heights, but what is going to happen now? Is it going to continue to grow even though she is going to keep this secret from him (since that is my full-fledged prediction)? My jaw dropped when I first saw this scene, because even though I predicted about halfway through the episode that this is exactly how Olivia would find out, it was so awesome to see the secret finally no longer a secret, not from her, anyway. She knows now, and that knowledge is, either way, going to make this season a much better season as a result. The drama is definitely going to heighten. Either she does tell him, in which case, it is possible that he will shoot the messenger, or she doesn't tell him him, in which case, he will feel betrayed when he does learn the truth. I can't wait to see where this story is going; I really can't, and at this point, I really do think that it is more than safe to assume that at the end of episode 2.08, "August," September was talking about Olivia, not Ella, when he said that it was a shame that things were about to get so hard for her.

I have read a great deal of word in regards to the remainder of this season, and if you're someone who likes to stay completely spoiler-free, then I suggest that you don't read this final paragraph. Okay, well, firstly, as a lot of you probably already know, the returning episode airing on Thursday, April 1st is called “Peter,” and the episode will dive into his back story and show us how he died in this universe and how Walter stole him from the alternate universe (click this link to see a promo, http://www.youtube.com/watch?v=Weo6YPrHYMQ). There is also a sneak peek that has been released (http://www.youtube.com/watch?v=XXVBQYOawbM&feature=PlayList&p=F095C30B074A851E&playnext=1&playnext_from=PL&index=3) that reveals to us both that Nina knows about Peter's origins and has been keeping it secret from him as well as everyone else and how Nina lost her arm, which certainly is not to cancer.
 
Additionally, a few key elements of these last eight episodes have been revealed by the producers of the show. Firstly, Smallville's Kristin Kreuk might be guest-starring on an upcoming episode titled “Northwest Passage” (I don't watch Smallville and don't know who that is, but hey, it's fresh in Fringe news). Secondly, it has been mentioned not so quietly that Polivia's relationship will indeed grow and develop further. Thirdly, it has also been mentioned that we have not seen the last of Jessup, nor have we seen the last of (are you ready for this one) none other than William Bell (Leonard Nimoy), who will apparently experience an epic confrontation with Walter in the season finale. All right, well, that's all that I have for now. “Jacksonville” gets nine and a half creepy little Olives from me, and until next time, stay on the fringe. The final eight episodes of the season have been described as a “rollercoaster,” so be sure to hold on tightly.

Fringe - "The Bishop Revival" (2.13)


The Bishop Revival” is far from being a terrible episode, but it's also far from being a good episode. It's a good detective story, and it also makes a connection with the comic book series, which I think is really cool, but there's just something about it that leaves me unsatisfied. Perhaps, it is the lack of closure at the end of the episode. Normally, I love a lack of closure, because it makes Fringe less like House and more like Alias and LOST (which I ultimately think that it is, anyway), but this time, I am apprehensive. I am worried that the purpose of this episode's ending is to leave us to draw conclusions of our own, never tangibly returning to the story at a later time, and that is simply no good. Anyway, I'll talk a lot about this episode's strengths and weaknesses as well as the story itself. Also, I would like to warn you that some of what I will talk about has already been discussed amongst The Fringe Podcast, and I apologize for that. I don't want anyone thinking that my ideas are not original because most of them are but are coincidentally also those of the podcast. If that is ever not the case, then I try to attribute credit. If you have not yet seen this episode, by the way, then please don't read any further, since this does contain spoilers.
 
Near the beginning of the episode, Walter and Peter arrive at the crime scene in a rather funny scene, with Walter attempting to drive unsuccessfully. Walter mentions Peter's mother to him, something that I don't believe that he has done since the ending of episode 2.07, “Of Human Action.” He once again mentions Peter's mother's beauty, but this time, he mentions the wedding, saying that he always dreamed of a day that he would have a son who would wear his purple tuxedo, and to make the story short, Walter brings Olivia's name into the conversation, rushing to the question, “Do you think she would call me dad?” What I find really interesting about Peter's response is that he simply says, “My guess would be no.” He does not say something to the effect of, “I don't feel that way about her.” It's interesting not because it clues us in to the possibility that Peter has romantic feelings for Olivia (although it does, I think that that is something that we have seen since season 1) but because he didn't deny that he does. He just played along as if it's already out in the open, which obviously, it is not. I suppose it's just me gentle heart, but I think that it would be so awesome if Peter and Olivia eventually do get married, and lo and behold, Peter wears Walter's purple tuxedo. If that isn't sentimental, then I don't know what is. I mean, Walter does say that “the day may come sooner than you think.” Were the writers speaking to us through that line, perhaps?

All right, well, here is the main complaint that I have about this episode. The previous episode, “What Lies Below,” ends with Astrid being clued in to the possibility that Walter has a very serious secret in regards to Peter. She may not know exactly what it is, but she does know that something isn't right, and in this episode, she acts as if nothing happened. She doesn't mention it to Walter again, and she doesn't even behave any differently around him. It is, as I said, as if that last scene in “What Lies Below” didn't even happen, and that is something that is difficult for me to grasp. How could she just carry on and pretend like nothing ever happened, like he didn't say what he said? I mean, perhaps, she has worked with Walter long enough to know that he doesn't always make sense, and I could understand and even support that argument if he had said that he didn't know what he was talking about or something to that effect when Astrid approached him, but he basically told her that it isn't any of her business, which did not debunk his hint that Peter is not from this side. Perhaps, she is so disturbed by what he said that she can't bear to talk about it, and so psychologically rejecting it, she still behaves the same as before. Speaking of Walter and Astrid, by the way, I love how he calls her Ostrich in this episode, and she doesn't correct him. Perhaps,
that is an example of her behaving differently, because normally, she does correct him.

Speaking of Walter's Walterisms, I also love how when at the restaurant, Olivia suggests that the toxin originated from a cup of tea, asking, “How about a cup of tea?” Walter misunderstands her and thinks that she is offering one to him, so he says, “Oh, yes, thank you.” Every time that I watch the episode, that line makes me laugh for two reasons. First of all, I love how the team is at the crime scene where there are dead bodies, yet Walter is so easily distracted by his thinking that Olivia has offered him a cup of tea, and second of all, it's as if Olivia would even do that. Again, they're at a crime scene where there are dead bodies. There is very little lighting at the restaurant (something that I think is frequently pulled off very well in
Fringe, as Caleb Braudrick points out in the podcast), and Olivia randomly asks Walter if he wants a cup of tea? I don't think so. Like I said, I love that line, and it is probably my favorite line from the episode, clearly demonstrating Walter's Walterisms, and since I am on the topic of that scene, I was very happy to see that that adorable little girl was not dead, but how could she not be? How did she escape? Did she run out of the restaurant? It seems to me like it would be too late at that point, since she would have already inhaled the toxin. I am happy that she survived, but I would like to know how she did. I mean, the little girl that we see receiving attention outside of the restaurant is the same little girl that was sitting so close to the cup of tea, the girl that was with her mother, correct?

The
Fringe Podcast does mention the old-fashioned typewriter on Hoffman's desk, and I have to say that, because I didn't even notice that, to be honest. That is one of the many reasons why I love that podcast, though. It gets me thinking about topics that I would normally probably not think about, and this is an example, since I didn't even notice the typewriter. I did, however, return to the episode to look for it, and I did find it. Obviously, what it suggests is that Hoffman might be from the other side, since we see the Shapeshifter making contact with the other side using an old-fashioned typewriter in a couple of episodes early this season. Is it possible that Hoffman is a soldier from the other side and that that is why he has not aged? That could be why he is taking people out, but then, I don't understand the Nazi connection. Also, there doesn't seem to be a mirror with the keyboard. Hoffman is very old, even though, for some reason, he doesn't look like he is (perhaps Jacob has given him a “gift”?), so perhaps, the old-fashioned typewriter is simply to fit the old music which sounds to me like it's being played on a turntable, or something very old, anyway. There is also another possibility, although it does not do anything to explain his age or the typewriter. We know that ZFT has German origins, and obviously, Hoffman was German, so is it possible that he is ZFT? This is also something that I cannot claim as my own thought, since I didn't even think about it until the podcast mentioned it.

In the very first episode of the series, Broyles says something like, “it's like someone is experimenting, only the whole world is a lab,” to Olivia, and that is one reason why I do like this episode. It is very representative of what Broyles says in that episode, since Hoffman really was conducting experiments on people to try to find an effective way of eliminating “inferior” races, so it really is “the whole world.” That brings me to the same thought process to which I have been brought throughout this whole season, though. What happened to the Pattern? Are we still seeing the Pattern? What about the aforementioned ZFT? This season, we have only heard the other reality mentioned, while meanwhile, what about the mole-baby living underground (2.02, “Night of Desirable Objects”), the doctor who is addicted to dreams (2.05, “Dream Logic”), the Chinese Snakehead that infects people with an incredibly large and terminal worm (2.09, “Snakehead), the disfigured people of Edina, New York (2.11, “Johari Window”) or the ancient virus with which Peter becomes infected (2.12, “What Lies Below”)? Are these incidents all part of the Pattern, and if not, then what are they, exactly? Why are they happening? I want the mythology of the Pattern and of ZFT to come into play again. Don't get me wrong; I love the parallel universes arc of the mythology, but the Pattern and ZFT haven't even been mentioned this season, and it's frustrating.

Well, now discussing the ending of the episode, first of all, during the scene in which Walter inhales the toxin in Hoffman's basement and Peter notices Walter's sweater right before Walter begins choking, how did Peter not see that beacon of boiling purple liquid when he was in that area, when he noticed the sweater? That really annoys me, because I know that I would certainly notice that before I notice a sweater. Also, at the conference itself, when Olivia and Hoffman nearly brush past each other, how did Olivia not see him? I replayed that scene two or three times, and she definitely would have seen him, and I don't understand how she doesn't. She knows what he looks like, yet she walks right past him in proximity consisting of less than a foot, and speaking of the conference, it makes perfect sense for Hoffman to have targeted a World Tolerance Conference. If one is trying to eliminate races that he or she sees as “inferior,” what better place to go? It's a really good thing that Walter stopped Hoffman when he did (I would like to just say, by the way, that I agree with the podcast. If Walter continues going rogue and taking matters into his own hands, Broyles isn't always going to be so forgiving), because the body count at that conference most likely would have been incredibly high. Then, there is the final scene in which Peter asks Walter how Hoffman got a hold of the formula if not from the books, and before we see the photo (The photo, by the way, really confuses me. Is that Walter or his father in the photo?), Walter says to Peter that “perhaps there are some mysteries that are destined to remain unsolved.” This line reminds me so much of what he tells Astrid at the end of “What Lies Below,” which is that “some things are meant to be left alone.”

Lastly, I want to briefly talk about the comic book connection. Those fans who have read the six comic books that take place prior to the pilot episode of the series are definitely rewarded in this episode, since a connection is made. In the fourth comic book (the one with the seahorse on the cover, of course), we learn that Walter's father was a Nazi spy (something on which is then elaborated in the fifth comic book), so, for me, learning that in this episode was no surprise, but it was rewarding for that connection to be made, anyway. In the comic, however, Walter's father's name is Hans Froehlich, not Robert Bishoff, and although The
Fringe Podcast brought that up and talked about it for a bit, I see it as a relatively simple equation. Since he wasn't actually a Nazi but was instead a spy, trying to bring about the Nazi Party's destruction by learning its secrets, he most likely would have used an alias. I do have to admit, however, that it is indeed odd that Walter does not clarify this to William Bell in the comic. In fact, he seems to immediately know that Froehlich is his father just by hearing his name. Perhaps, Walter's father told him this story later, and Walter was therefore aware of the alias. That still doesn't explain, however, why he wouldn't have mentioned that to Bell. Anyway, “The Bishop Revival” is an okay episode but nothing fantastic. Leaving me drastically dissatisfied, I give it six cinnamon candles. If nothing else, it makes a really good detective story, as previously stated.

Fringe - "What Lies Below" (2.12)


I will kick this blog entry off with a spoiler alert; if you haven't seen this episode but would like to see it, then please, don't read any further, as this entry does contain spoilers. “What Lies Below” is a decent episode, and I think that I would give it eight little glass vials (kudos to those of who you immediately understood the Repo!reference). The plot line isn't really anything spectacular; basically, an age-old deadly virus is somehow unleashed from deep inside the earth, and as Walter points out, it is ultimately the top of the food chain. It is smart, forcing people to go outside, because that is where it can spread. Walter gives an example of a virus that cannot survive in water, so it gives its hosts a fear of water. The virus ultimately takes total control of its host. It's definitely really interesting stuff, but although I skipped over the “Science of Tomorrow” part of that particular podcast (for the particular reason that I don't want the magic to be debunked), Clint of the Fringe Podcast claims that apparently, very little of this episode's science is accurate. Part of this show's magic, however, is that it allows you to imagine and to ask yourself the age-old “what if” question. He also claims that the ending of the episode is not a big deal at all, with which I wholeheartedly disagree, but I'll elaborate on that a bit later.

The scene in which Peter finds himself convinced that Olivia has betrayed him was a really interesting scene (one reason of which I will not discuss until the “Jacksonville” entry). It was exciting and got my heart pounding. If this episode has anything to offer, it's the action; my heart was racing throughout almost this entire episode. My major fault with this episode, however, as it seems to be with a lot of Cortexi-Fans, is that at first glance, it does not appear to be tied to the major mythology of the series. There are ways, however, in which it could be, and although all of these ways are ways that I thought of myself shortly after the episode aired,
Fringepedia presents a lot of possibilities. For example, we don't know whether or not Vandenkemp was aware that he was infected before entering the building. If we bring ourselves back to the pilot episode of the series, for example, I think that it is more than acceptable to assume that Morgan Steig knew what he was doing when he injected that pen into his arm.

The site also questions whether or not the attack was deliberate, and I think that it definitely was, regardless of who initiated the attack. It is very possible that it was ZFT. As I have said before, it is likely that ZFT's efforts are to wipe out the Observers, as is suggested at the end of episode 2.03, “Fracture.” If this is the case, then it is likely that the Observers just happen to be at the wrong place at the wrong time, since the attacks are targeted toward them. However, the problem is that the possibility offered at the end of “Fracture” sort of conflicts with what we learn in “August,” which suggests the possibility that Gordon was lying. Anyway, is it possible that Solum Oil Corporation intentionally unleashed a deadly virus, and if so, why? Was it working for ZFT? If that is indeed the case, then why would ZFT unleash this virus? What would it have to gain? Does this return to the possibility that its primary goal is to take out the Observers, and again, if so, why?

Like I said, although, at first glance, the episode seems to be entirely “stand-alone,” we don't know for sure that it is. For example, episode 1.05, “Power Hungry,” seems to be “stand-alone,” but I don't think that it is because the advertisements trying to gain the attention of Joseph Meegar promise to help him “unlock [his] hidden potential,” and does this or does this not resonate with what Cortexiphan is supposed to do for those on whom it is treated? Is it possible that Meegar was being dosed with Cortexiphan, that like Tyler Carson (2.07, “Of Human Action”), a soldier was being formed? Is it possible that Fischer was working for Massive Dynamic and/or ZFT? Anyway, I know that I am talking a great deal about other episodes, but I think that sometimes, a lot of the time, in fact, episodes can be tied into other episodes, especially to help demonstrate that not all of the “stand-alone” episodes are truly “stand-alone” episodes, that they can probably be somehow tied into the mythology. I do, however, agree with the complaints that nothing is offered, but you never know; perhaps, something will eventually be offered that will help us understand these little occurrences. What I would really like to know is what happened to ZFT, why we have so far heard absolutely nothing about it this entire season.

Going a bit off topic yet again, I would like to briefly discuss a couple of videos that I recently watched, courtesy of
Fringe Insider's Tumblr profile. In both of the videos, executive producers J.H. Wyman and Jeff Pinkner discuss secrets of Fringe, and in the first video, they discuss the Observers. I wouldn't say that a whole lot is offered, which is good because I wouldn't want what they have planned for the storyline to be spoiled, but anyway, they talked about how they'd like to think that the Observers are not from either reality but are from a reality of their own. Granted, I think that that is a pretty major point to unleash, but I think that that is something that, for some reason, they want us to know because Pinkner said this after the season 1 finale, too. They also touched upon the green, green, green, red color sequence, saying that it definitely means something but that they haven't yet decided when they're going to reveal what it means, just that it definitely seems to have something to do with the Observers. It's all very interesting information, I think. In the second video, the two of them discuss the episode “Jacksonville,” but I won't talk about that until I get to that entry. More news relating to Fringe is that my friend David recently mixed the theme, which is called Omen's Epic Dreamscape Mix, and it is indeed epic; if interested in hearing it, let me know.

I don't always touch upon the title of the episode. In fact, I rarely do, but I do find it helpful to discuss this one because I definitely think that there are a number of ways to interpret it. There is the obvious meaning, relating to the virus which “lies” below. However, this episode also touches upon something else which “lies below.” This episode really displays the love that lies below the surface, and I don't mean romantic love; I mean family-like love. The Fringe Team really has become a family, which is funny, because if you once again bring yourself back to the pilot episode of the series, you'll recall the reception that Olivia receives from Broyles, Olivia, the “liaison.” Now, she's like his daughter, and the same is true of Walter and Peter. The pilot episode (and most of season one, for that matter) displays a very scorned Peter, angry with his father for so many reasons. Now, the two are very close, which, as I say all of the time, is sad, only because we know what's coming. Broyles even says that he can't allow the team to die inside of the quarantined building, since they are like family to him. There's also Walter's secret, which has lied below and continues to lie below, until, of course, the ending of the episode.

All right, well, about the ending of this episode, into which I promised to dive, as I said, I think that it is ridiculously epic, and when I first saw it on TV, my jaw dropped, and I'm not kidding. As I said previously, I don't care what Clint says (although he is entitled to his opinion), this is not the tenth time to which we've heard Peter's death alluded. I mean, it is the tenth time, but this time is different because now, Astrid is aware of the possibility that Walter either cloned Peter or brought alter-Peter over from the Other Side. Of course, we don't know as a fact that she is thinking one or the other, but the point is that she is now suspicious of something not being right. Walter accidentally let it slip, which I think is a very interesting route for the show to be taking. I am certain that Peter will find out what happened to him by the end of the season, and my guess is that we won't find out what he will do as a result until season 3. Overall, it's not a terrible episode; it loses points for not having any obvious connections to the mythology but then gains points back for being action-packed and, most notably, for that ending, earning it the aforementioned score of eight out of ten.