The Fringe Season 3 Survivor Event - Result
The Fringe Season 3 Survivor Event
Fringe - "The Day We Died" (3.22) - Season Finale
Walternate obviously told the End-of-Dayers what exactly they were doing. He even says to Moreau, "Soon, this world will join mine," so why are they willing to destroy their own world? Did they cross over with him when the Redverse was destroyed? If so, then who are they? Why haven't we seen them before? We learn from this episode that Astrid (whose line, "How come no one respects my desk?" I absolutely love), unless she was adopted, is not Broyles' daughter, because she mentions her father, who is obviously not Broyles. Speaking of Broyles, in 2026, he is a senator, and I would really like to know what happened to his eye. I read that the writers know what happened to it, but they did not say whether or not we are ever going to find out what happened to it, but I have a feeling that we will because I think that this finale is going to end up being far more pivotal than it seems it will be at this point. This episode, in a sense, really reminds me of the pilot episode because in the pilot episode, Olivia, under very different conditions, mind you, approaches Broyles about obtaining Walter's help, and Broyles is very reluctant; the whole idea, in general, of Walter being incarcerated and freeing him to obtain his help is reflective of the pilot episode.
I love how Peter says to Walter in the future that "no matter who's at fault, you're my dad," and I love that scene, because while I do think that what Walter and Elizabeth did in 1985 was terrible (even though it is definitely not that simple), the issue of where Peter belongs comes down to where he wants to be, and I think that that is pretty obvious. I love the conversation between Peter and Walternate; it's something that I would consider epic, and I think that it really speaks for Walternate's character because while Peter wants to negotiate with Walternate and make peace with him, Walternate kills Olivia instead. Walternate was not really sitting in that house; he was using some sort of technology to make himself appear to be there, and that was pretty impressive technology if you ask me. Ella, clearly upset with Walter for doing what he did in 1985, says, "There aren't any happy endings nowadays, are there?" I love this line and really feel that it's worth mentioning because it's definitely an intentional reference to "Brown Betty" (2.19), in which Ella changes Walter's ending to his story by making it happy. It is definitely interesting that we see a future Ella in this episode, and I definitely get the impression that, for whatever reason, in this future, Rachel is not alive.
In 2026, Walter tells Peter that something for which he never accounted is that the two worlds are inextricably linked; if one world dies, then the other will, too. He therefore says that the day that they triggered the machine was essentially "the day we died." I wonder why these two world are linked, though. Why aren't all universes dying (assuming they are not all dying)? Is it because of what Walter did in 1985? Is that why that universe was the one in which he chose to observe a Peter? Was it the easiest to find in a search for a parallel universe? Olivia (who, by the way, doesn't really look fifteen years older) has apparently learned to control her abilities in that particular future, and she stops a box containing fragile material from hitting the floor, which is pretty neat. On the Other Side, apparently, the drawing of Olivia exists there, as well, unless someone somehow made a copy of it here and then sent it over there because we see Walternate with the drawing of Olivia, and he seems to think (or know, I'm not sure which) that the drawing applies to his universe's Olivia. I love what she says to him. "They outsmarted you, didn't they?" she mocks him. "They know you turned the machine on, so they put Peter in theirs, and now, we're the ones that are going to get destroyed." She is basically saying to him, "Look what you did now."
Broyles says, when we come back to 2011, that Peter has been in the machine for sixty seconds, so apparently, time did not pass the same way for him as it did for them. I absolutely love the confrontation scene near the end of the episode because I have been waiting for the two Olivias to confront each other once again for a long time, in hopes that they would now be friends, but unfortunately, they don't say anything to each other. I get the sense, however, that they will be working together because our Olivia definitely wants to be cooperative. She interrupts the quarrel between the two Walters and says that they are all together now, so they need to work on solving their problems, and the other Olivia, based on her facial expression, seems to be in agreement. I have waited even longer for a confrontation between the two Walters (which David Wu has cleverly referred to as "waltercation") because we hadn't even seen that yet, and as far as we all know, this is the first time that these two men have met each other, and obviously, there's bad blood. Now, though, Peter never existed, which definitely has me scratching my head because I can't think of what he did to cause that to happen. He only changed from 2011 on, so how does that affect the past? Precisely as Anna Torv said her reaction was, what does this mean? What does it mean in context of the series thus far and of the series in the future?
I close by saying that I really like the new intro. The "fringe sciences" listed are cellular rejuvenation, thought extraction, cryptozoology, neutral partitioning, brain porting, temporal plasticity, dual maternity, chaos structure, clonal transplantation, biosuspension, water and hope. I put "fringe sciences" in quotes because those last two are obviously not even sciences, and I don't know what to make of them, especially not "water." What significance does "water" have to this episode? Is it maybe that (clean) water is not as easy to come by, since the universe is dying? I appreciated this finale in a lot of ways, but it is not as good as last year's finale, "Over There," and, in my opinion, it's going to be very difficult for them to ever write and film a finale that tops (or is even as good as) "Over There" (a television epic). What primarily makes little sense to me is that the other Olivia stole a piece of the machine on this side so that we couldn't use it, yet we douse it. I'd suggest that the function of Olivia's ability takes the place of the function of that piece of the machine, but the machine is activated before Olivia intervenes, so is it that without that piece, the machine doesn't create but destroys? There are so many questions, and I can't wait until season 4. I give this finale 7.5 Kate Dunhams (NCIS fans surely get the reference).
Fringe - "The Last Sam Weiss" (3.21)
I also find it interesting how Sam feels guilty for having intervened because apparently, he is not supposed to intervene, which is frustrating. I really was expecting to have all of my questions regarding Sam answered, and they definitely were not answered, and it's frustrating that Olivia doesn't push him when he makes cryptic statements such as this one. Why can't he intervene? Who said that he can't intervene? What consequences does intervention have? It reminds me a lot of the Observers, since they are not supposed to intervene, even though they seemingly do intervene. Also, how does he know where the key would be? Who put that there, and why? Did one of his ancestors put the key there? If all along, Sam knew that that key would be essential, why did he wait so long to take action? Is it because, as he tells Olivia, he is not supposed to intervene? At this point, I have seen the season finale, so I don't want to say too much, because I would rather wait to talk about the finale. All I will say is that while Sam is not in the finale at all, we learn who the First People are, and it completely wrecks my theory regarding the soul magnets, anyway. I don't like how they wrote Sam's story but like how they explained who the First People are, which, interestingly enough, are in conflict with one another.
Regarding the museum scene, though, why would the museum director allow Olivia and Sam to do what they do, go into the museum and take an artifact? Did Olivia simply have to say that what she is doing is classified, and that was that? How is all of this being explained to the public? I wouldn't imagine that the public is aware of the parallel universe, because after all, the public on the Other Side is not aware of the parallel universe, and it's a lot worse over there. How do they explain the amber to the public? I love the scene during which Olivia and Sam need to get out of the museum because the lightning strikes are getting really bad, and Sam intricately stops a gate from closing on them by rolling something to cause a jam, and when Olivia expresses stunned amazement, Sam says, "I work in a bowling alley." That is a great line, and I'm sure that under different circumstances, Olivia may have found it funny (we have previously seen her lighten up around him) but not now. This is definitely a very Olivia-centric episode, but overall, I would still argue that despite what Josh Jackson said at the beginning of the season about this being "the Year of Olivia," I would say that this season has definitely been more about Peter than it has been about Olivia. So far, Season 1 was Olivia's season, for sure.
Now, we know that both Peter and Olivia have a connection to the machine, but why? I really love that in this episode, we see some parallels to season 1. For example, Walter mentions David Robert Jones, and we finally find out what the "lightbox" was and why ZFT was using it on their subjects. Additionally, Olivia is very reluctant to believe that she is capable of getting the typewriter to work, which is consistent, seeing as how Jones does tell her in season 1 that it's expected that Cortexiphan soldiers will be unwilling. However, as much as I love the idea that Olivia, much like Peter, is tied to the machine in some way, we still don't fully understand why, and my fear is that we won't for a good long time because I fear that the series will not explore this for a while. Olivia can apparently bend energy with her mind, which Sam identifies as telekinesis, something that surprisingly, he doesn't seem to have known already. It's really nice, as well, to have more or less discovered how the typewriter works, and I am so glad that the “quantum entanglement” story of “6B” (3.14) has not been dismissed, as I feared that it would be. I love how the writers plant seeds like that, and sooner or later, I think that we are going to realize that many seeds were planted a long time ago, seeds that we didn't even know were being planted.
In this episode, Walter encourages Olivia as she tries to get the typewriter to work, and I love what he says. “I wish you could see yourself the way I see you,” he says. “You have no idea how extraordinary you are.” I think that this really helps demonstrate the difference between Walter and Walternate, not that we really need help seeing that difference, and I love how he refers to Astrid as Ostrich, something that I didn't catch until the second time I watched the episode. He is definitely very negative during other scenes of the episode, but I can't really blame him for that because, after all, he doesn't have a whole lot of reason for hope, since the situation isn't looking too swell. I wonder, however, what happened to wanting to reconstruct his missing brain cells. Did he simply give up on that idea when he had Bell as a lab partner? After discovering that Bell's consciousness was inside of Olivia's body, did he figure that, instead of reconstructing his brain cells, he would simply secure Bell's help? If so, then why don't we see very much interaction between Walter and Bell regarding the Machine? I am just kind of disappointed that that story was thrown away because I was expecting Walter to regrow some of his missing brain cells and become more like Walternate, something that would have likely had tragic results, which is not what I wanted, but I think that it would have made a great story.
Peter is confused throughout much of the episode, apparently thinking that he was on the Other Side, and that is a bit confusing. Is it that something caused him to temporarily be the Peter that would have existed “over there” had Walter never taken him, or is it simply that the concussion confused him? He knows that the situation “over there” is worse than it is here, so maybe waking up and seeing the electrical storm caused him to think that he was on the Other Side. I was really expecting the cab driver to be Henry and was kind of disappointed that it was not Henry, but maybe Henry is not a cab driver in the Blueverse, if he even exists at all, for that matter. The electrical storms are pretty epic, and I wonder if they happened “over there.” Vortexes happened “over there,” and so did the Blight, so it stands to reason that severe electrical storms did, as well, or, for that matter, do. I would really like to know more about the Redverse and really hope that we will indeed learn more about it and its problems next season because we definitely do not know as much about life “over there” as we do about life here. Just how severe can the fringe events get, and are they glimpses of what will happen here eventually? I think that that has more or less been confirmed, but I would really like to know if the Other Side experienced such severe electrical storms, and I would really like to know more about the Other Side's history.
When Olivia finally does get the typewriter to work, it seems that it is Olivia having concentrated on the sentence “Be a better man than your father” that gets it to work, and I wonder why that is what gets it to work. Could it have been any phrase, and that's simply the one that happened to work? Why does the typewriter start working when it does, when Olivia is not around it? Is it that it needed Peter and Olivia together in order to work? I remember two years ago, when fans theorized about Peter and Olivia having some sort of connection after having seen “Bad Dreams” (1.17). Olivia, in her mind, is living as Nick Lane, and Walter tells Peter to comfort her. I personally didn't think much of it, but there were fans that suggested that it indicated some sort of connection between them, and now, it's plain to see that they might have been right, since there is a connection between them, and maybe that is what Sam meant when he said that whether or not their universe would survive would depend on which Olivia Peter would choose, since the Machine apparently needed the both of them to operate. What doesn't make any sense about the Machine, though, is that it is operative on this side even though the other Olivia stole a piece of it. I thought that the purpose of stealing that was so that the Blueverse couldn't use theirs, and seemingly, Walternate isn't even taking that into account.
I am so happy that Olivia finally says “I love you” to Peter, but, of course, he doesn't say “I love you” back, which is annoying, and the expression on her face seems to indicate that she is waiting for it, too, which is really sad. When Peter makes his way to the Weapon, I really love how we see the flashback sequence, but it is obviously merely intended for us and is not intended to be something that he is actually seeing, because it shows a glimpse of the scene at the end of “The Plateau” (3.03), during which Peter kisses Olivia while she is “over there” thinking that she is the other Olivia, something that obviously did not actually happen. I love it, though, because it has such great sentimental value to us. It kind of makes sense now why the drawing of Peter depicts him with fire coming out of his eyes, because it was intended to depict him seeing an apocalyptic future, and the drawing of Olivia, which we see for the first time in this episode, was intended to depict her using her ability to bend energy to manipulate the Weapon so that it would allow Peter inside of it. I really like this episode, but because I did not receive some answers that I was expecting to have received, I give the episode 8.5 Lightning Bolts, something that you will recognize as a respectable but not exceptional Bunsen Burner rating if you know me and how I rate Fringe episodes. Obviously, there will be more to talk about discussing the season finale, but until then, stay on the fringe.
Fringe - "6:02 AM EST" (3.20)
I don't really appreciate the inconsistency of the intro, though. Even though the episode alternates between both universes like "Entrada" (3.08), unlike "Entrada," the intro is only blue instead of alternating between blue and red. I know that it's not really a big deal, but it is inconsistent, which I don't like. I love the scene near the beginning of the episode, however, in which we see a shirtless Peter (always a good thing), and Olivia gets out of bed and runs into a naked Walter, which is so hilarious because she does her absolute best not to look and to keep her cool. Olivia then returns to bed and says that she loves early morning, that it's her favorite time of the day because it's when the world is full of promise, definitely a memorable line. I also think that this episode shows us that at this point, Peter has definitely forgiven Walter for what he did (even though Walter has definitely not forgiven himself), and I think that this is really evident when Walter tries to say something to Peter before Peter attempts to enter the machine and Peter says, "I know," indicating that he was going to tell him that he loves him, which is also probably what Peter was going to ask Astrid to tell Olivia. As I had already known we would, we see Sam Weiss in this episode, and that's a joy (no sarcasm intended).
I don't know if anyone else noticed, but Sam definitely looks older in this episode than he did the last time that we saw him, which was at the end of episode 3.12, "Concentrate and Ask Again" (3.12). Darrell of The Fringe Podcast pointed out that he looked younger when we saw him in "Concentrate and Ask Again," and I think that that is more obvious than ever now because now, he definitely looks a lot older. I'm not sure what to make of that, but even though this theory probably doesn't have anything to do with that simply because it doesn't do much to explain it, I am wondering if Sam's body is just a vessel for the real Sam Weiss, much like Bell used Olivia's body as a vessel. If you think about it, it would totally explain what he means when he tells Olivia in "Olivia. In the Lab. With the Revolver." (2.16) that he is older and taller than he appears; it could be that he is ancient, since I think it's totally safe to assume at this point that he is one of the First People, and that when he was in his original, "real" body, he was a lot taller than the body that he is currently inhabiting. As I said, though, it doesn't explain why his age seems to fluctuate; that shouldn't have anything to do with it. Whatever the case may be, he has apparently known that some kind of end would be coming.
Firstly, the fact that the bowling balls hit one another without any obvious kind of disturbance causes him to conduct some kind of test at the bowling alley with a device that looks handcrafted. Then, later in the episode, we see him looking through some kind of window, and the window makes the sky really colorful, as a couple notices from their vehicle; he then proceeds to add to an equation on which he is working, and I really want to know what exactly he is doing in that scene, and hopefully, we will find out in the next episode, "The Last Sam Weiss" (3.21). I love how Nina tells Olivia about Sam having told her that the fate of their universe would depend on which Olivia Peter would choose because it's typical Nina. She says that "there's a man" and continues to say that he is a man in whom Bell told her to have confidence because he is very knowledgeable, working her way to saying that Olivia has already met him instead of simply immediately saying that she is talking about Sam. I also didn't realize it until my second viewing of the episode, but in this episode, the typewriter is sort of explained; Walter says that, like the typewriters, the Doomsday Device may have turned on due to quantum entanglement, which means that Walternate would have activated the Doomsday Device "over there" in order to activate the one here; that's apparently how the typewriter works, too, and I do know that the typewriter will come into some kind of play very, very soon.
"Over there," we see Olivia with her son Henry, and I have to say that seeing the two of them together is so beautiful, especially when she sings to him, and I have to say that between that and seeing her rebelling against Walternate, I have really warmed up to her. What I really want to see is the two Olivias meeting again, only this time making peace with one another. I would absolutely love to see that before the end of the season, but I have no indication as to whether or not that is going to happen. I love how she takes control of Brandon, and when he tries to tell her that she isn't going to get away with it, she says, "I did not ask for your opinion." As my boyfriend Ray pointed out, she really reminds me of Ziva on NCIS when she says this. There are some neat parallels in this episode, such as when the other Olivia narrowly escapes gunfire by using the elevator, which is an almost identical scene to one in this season's premiere, "Olivia" (3.01). Also, the other Olivia is imprisoned in the same room as our Olivia was at the very end of the season 2 finale, "Over There, Part 2" (2.22). This last one may not have been an intentional parallel, but near the end of the episode, Olivia running into Sam (for whom she had been looking), who tells her that she needs to trust him because there isn't much time, reminds me of her running into Bell, who says the same, near the end of "Over There, Part 1" (2.21).
I have always loved Lincoln, but I don't really see how anyone has any excuse not to love him now. Near the end of "Bloodline" (3.18), he and Charlie discuss the fact that Broyles went missing right around the same time that their Olivia returned from the other universe, and they therefore suspect that Walternate is corrupt, but for whatever reason, Kirk Acevedo is not in this episode. I did read that Acevedo will be in a new series, so maybe we will not be seeing him on the series anymore, and since there was no death scene (and we know that he is currently alive), perhaps the Redverse will not survive. I don't want that, so don't get me wrong; I want peace, but I'm just saying that that is a pretty "in your face" clue. It's very clear that, like Olivia, Lincoln does not want to destroy the Blueverse, since he is fully aware of what Olivia is up to and supports her. I love how when Walternate tells him over a communication device that they don't need to go to Liberty Island for a Fringe Event, he says, "Understood, Mr. Secretary," and there is a strong tone of sarcasm in his voice. Walternate tells Olivia that if it were anyone else who had done what she did, he or she would be charged with treason, which really makes me worry about Lincoln. For now, though, stay on the fringe until "The Last Sam Weiss" (3.21)!
Fringe - "Lysergic Acid Diethylamide" (3.19)
The opening of this episode is pretty powerful if you ask me because Bell faints and then says in the hospital that if he is shocked again, he and Olivia will both die. Anna is, as usual, beyond amazing in this scene, and I love that she is so modest. I read recently that she felt very nervous impersonating Nimoy's character, and she went into it not really knowing what she was doing and is still unsure of the results. That is definitely modesty, because even Nimoy has said that she is wonderful, and I wholeheartedly agree with him. This scene has a fantastic line in it, or a double-line, I guess, would be the best way of putting it. Peter says that Olivia is his girlfriend at the exact same time that Walter says that he (referring to Bell) is his partner; it's definitely some comic relief much needed during a pretty intense scene. I love the reference to the pilot episode, when Walter says that they have sort of done this before when they linked Olivia to John Scott's consciousness, and I absolutely love the look on Bell's face when he takes the LSD; it is one of pure mischief, and it just another scene in this episode that exemplifies Anna's incredible acting ability. It's too bad that no one captured any of it on camera to show Olivia when she returned.
Then, of course, you have Peter's reaction to the LSD first taking effect. He tries to touch Broyles' head and says, "You're bald." Then, to Astrid, he says, "I think he's an Observer." What doesn't make any sense to me, though, is why he would be so spaced out and "out of it" like that when he is "awake," but then, inside Olivia's consciousness, he is completely himself and seems to be thinking completely clearly. Maybe it's just that I don't know that much about drugs and how they work, especially not something like LSD, but it just doesn't make any sense. When we do see Peter and Walter enter Olivia's consciousness, we see that Walter is sitting on top of a bus and says, "I think you'll want to help me down!" What an awesome scene to see before a commercial break; it certainly gives us a good idea of just how crazy the episode is going to be. Perhaps the most surprising aspect of the episode, though, is Broyles' behavior after he accidentally takes some LSD. Broyles, as we all know, is usually incredibly stoic, but he certainly is not in this episode, and I love the expression on his face throughout most of the episode, that open-mouthed expression of awe, and the scene in which he sees an animated bird land on Walter's shoulder is probably the funniest scene in this episode. This episode certainly exemplifies Lance Reddick's acting ability, too. He says that he he saw death, which makes me wonder if he is eventually going to die.
I experienced a pretty major revelation during my second viewing of this episode, and that is that if Walter remembers Olivia's stepfather, then it would stand to reason that he remembers Peter and Olivia having met when they were children, and that helps support my theory that his tendency to ship Polivia so strongly has meaning to it. Further insight that this episode provides is that it would appear as if Olivia definitely doesn't trust Nina; after all, Nina tries to kill Peter and Walter in Olivia's consciousness. It isn't too long before we see that Bell is animated and so are Peter and Walter, and then we see a speech bubble above Walter that says, "How wonderful!" I laughed so hard when I first saw this because just when you think that Fringe can't possibly do any more to thrill you and surprise you, it does something like that. This has been hinted at, too. Last season, Wy-Pi were asked in an interview if there would ever be an animated episode, and they responded by saying to ask them that again near the end of the third season, so obviously, they have been planning this for quite some time, and that is simply awesome. In my opinion, they certainly pulled it off, just like they pulled "Brown Betty" off, also a fantastic episode in my opinion, although not as good as this episode.
It would make sense that Olivia would think that everyone is trying to kill her, which is why everyone tries to kill Walter and Peter. I also love how the zombies are Brandon look-alikes because obviously, she had a very traumatic experience while she was on the Other Side, and she is probably well aware that he was behind a lot of what happened to her. What I don't understand, however, is why she would have an image of the man that she says is going to try to kill her if she has never met him before. Is it that she briefly saw him while she was on the Other Side and had some sort of reason to believe that he would eventually try to kill her? If that were the case, you would think that given Olivia's track record involving her good memory, she would remember the man's face, yet she says that she has never seen him before, but then again, I have to take into account that for a long time, she thought that she was the other Olivia, and that would probably be enough to confuse her. Also, we learn from this episode that Olivia does remember her biological father, since she apparently told Peter that her father painted the door to the house red even though it was against regulations. That means that since she obviously remembers her biological father, my theory that her biological father is David Robert Jones has unfortunately been shot down.
I didn't notice the green-green-green-red sequence on the doors at first, but it's definitely there. After Olivia and Peter began dating, the two of them obviously shared a lot with each other, something of which I wish we would see more. One scene that I both love and hate at the same time is the scene in which Peter recognizes that who he is talking to is not really Olivia. I don't mean to be playing a double-standard here, but even though I'm sure that I would have been able to tell that the other Olivia was not my Olivia, the "fake" Olivia in this episode definitely had me fooled. I don't really see anything that would have given it away, and I think that it's just an effort on the part of the writers to show that Peter has completely come around since "Marionette" (3.09), especially since he even says that he can see in her eyes that she is not her. I love the scene in which Peter and Walter hug; that is incredibly powerful (I think that it's safe to assume that Peter has done a great job of coming around to trusting Walter again), and Walter's wanting to be alone after finding out that Bell is gone for good is definitely indicative of his journey to find independence. I absolutely love this episode, but I still don't understand why Nina wasn't involved at all. Did they, for some reason, choose not to tell Nina about this? Next is the beginning of the end, on episode 3.20, "6:02 AM EST," and I am so excited.
Fringe - "Bloodline" (3.18)
We find out in this episode that the reason that Rachel died giving birth is that she had a disease, and in this episode, we learn that Olivia has the same disease and therefore can't give birth, either (following up on the fact that the Redverse seems to be very prone to disease). At first, I wondered if this helped support David Wu's theory regarding Ella, that Ella was actually Peter and the other Olivia's child and that the Observers somehow intervened, and that was a theory that I was sort of starting to buy into because Wy-Pi said that what we see September do in "The Firefly" (3.10) (moving Roscoe Joyce's son forward in time) planted a seed for something that we will see later down the road; however, that theory has now been disproven because the child is a boy, and I doubt that the Observers have the ability to change someone's sex. We learn in this episode that Lincoln is apparently not happy with the fact that Olivia is pregnant, which doesn't surprise me in the least bit, since I didn't think he would be. He has his sights set on her, and not only does a pregnancy decrease his chances, but even if he does have a chance, being with her would mean raising a child of whom he wouldn't be the father.
Apparently, Charlie is now dating "bug girl" (whose name is actually Mona), and based on what he says to Lincoln, he seems to have really gotten along with her; that was a really happy moment of the episode, seeing as how I really like Mona and wasn't expecting her to ever be mentioned again. Walternate is still refusing to experiment on children (even though he is more than okay with experimenting on and imprisoning adults), and the fact that the other Brandon is still pushing for the child experimentation to take place indicates that Brandon really is a bad, bad guy, and it makes me wonder about the Brandon in the Blueverse; perhaps, as red Brandon is Walternate's right-hand man, blue Brandon is Nina's right-hand man and has had a great deal of involvement in the immoral experimentation that Massive Dynamic has conducted, such as the cloning of the Tylers in "Of Human Action" (2.07). (I recently saw the actor who played Tyler, Cameron Monaghan, in an NCIS episode, by the way.) I spotted blue, red, and yellow on Walternate's wall, which was probably there before, but I didn't notice it until now.
In this episode, Walternate is definitely very driven, and we even see him in tears. As usual, John Noble is amazing, but I won't say much more than that because that has been said over and over and over again; he and Anna both need Emmys. An Observer is seen near the beginning of the episode, and he is watching Olivia enter her apartment complex. What's really interesting, though, is that it definitely doesn't look like September; he looks like he is a bit older than September, so maybe he is October or November? I don't know, but it is odd. At the end of the episode, after Walternate gets his hands on the baby's blood sample, September says into one of those strange communication devices that it's happening, and I was teased a bit beforehand. I read a review that I believe TV Guide had published saying that we would see the Observer and would even hear him speak, saying something that would be incredibly game-changing. I think that it has something to do with getting Peter back to the Redverse and has something to do with what September and December say at the end of "The Firefly" (3.10), but I guess we will see; Wy-Pi recently said that we will find out a lot more about the Observers in Season 4 (which, as you all know by now, is officially happening, so we can take a few breaths and relax), so that is really exciting.
This episode also has a parallel to this season's premiere, "Olivia." In that episode, we start to see the effects of season 2's cliffhanger, which, of course, is the revelation that Olivia (as in Blueverse Olivia) is being held captive in the Redverse, and Bolivia being held captive against her will really reminds me of what Olivia has to endure during the first part of season 3. In fact, for the second time now (the first being the end of episode 3.13, "Immortality"), we have seen Bolivia as a very vulnerable person, a lot like Olivia, and in this episode, she reminds me a lot of Blue Olivia. She tries to reason with the blonde woman, tries to convince her to let her go, and this reminds me of Olivia trying to reason with Colonel Broyles in "Entrada" (3.08). This episode also reminds me of both Alias and LOST in that both shows also deal with a pregnancy, and both of those pregnancies are handled in similar fashions. When I first saw the promo for this episode, in fact, I suspected that the abduction was related to the pregnancy and even said, "How much do you want to bet that they are somehow trying to save her baby?" I just know J.J. too well. One scene even reminds me of Stargate SG-1 (which, by the way, J.J. was not involved with at all), because in episode 5.11, "Desperate Measures," of Stargate SG-1, Samantha Carter is abducted and tries to use a scalpel to free herself from her restraints.
We see Chinatown in this episode yet again, which is probably the fourth or fifth time that we have seen Chinatown in this series. I have to wonder what's up with the creepy masks that Olivia comes across on the streets. Is she hallucinating, or is this some sort of cultural custom? Something that I love about this episode is that we see Henry again, and I am so happy that they haven't just dismissed his character. When we first see him in this episode, he is reading a comic strip on his computer titled Opus, and when I saw that, I knew that there must have been something significant about that, and sure enough, there is, which is that Opus was discontinued here and is no longer published, so it was intended as another differentiation between the universes. It is kind of tragic how Henry still thinks that the Olivia that he has been watching over (which I do not see as creepy; he was concerned) is the same one that he had previously met. Red Olivia says before giving birth, "It's nice to meet you, Henry," and you can see that Henry doesn't understand, which is sad. Lincoln and Charlie confront him, but I'm not sure whether or not they told Walternate, and I hope not because if so, Henry may end up dead, and that would be truly, truly tragic. I sincerely hope that that is not what happens.
I absolutely love the scene near the end of the episode in which Lincoln and Charlie have an epiphany, realizing that Broyles went missing right around the same time that the Olivias switched to their rightful places, consequently wondering what else they have been lied to about. They are getting very close to the truth, if they are not there already. I wonder if this will affect their friendship with Olivia; my guess is that it will, but I am also wondering if they will say anything to her. My thought is that they will not, that they will pretend like they don't know for a while until it somehow comes to fruition. I knew early in the season, when Lincoln and Charlie have that conversation in which Charlie suggests that Olivia was telling the truth about not being who they thought she was, that they would definitely receive official confirmation that she was indeed telling the truth, and now that they have, I wonder if they will become more sympathetic toward the Blueverse. What about Sam Weiss? He obviously knew about Bolivia's pregnancy because he told Nina that she shouldn't be so sure that Peter would choose Blue Olivia. I do know that Sam will have a major role in the season's last two to three episodes; I can't wait, and I'm sure that the finale will have a lot to do with why Walternate wanted the baby's blood sample."Bloodline" is a fantastic episode, and I give it 9 Agonized Alters.
Fringe - "Stowaway" (3.17)
The opening scene of the episode explains when Olivia had the "soul magnets" implanted, and I was right about that; it happened when she visited Bell on the Other Side at the end of the first season, and, in fact, that is part of the reason why he brought her "over there" in the first place. The opening scene also explains where Olivia is right now, a question that I had previously posited, seeing as how she is obviously not present in her body right now. Bell says that her consciousness simply lies dormant, and that causes me to wonder where Bell's consciousness has been during these past few months that he has been "dead." In "6B" (3.14), Walter says that Bell posited the idea of "soul magnets" and said that if he were right, he would contact Walter "from the Great Beyond," so what is meant by "the Great Beyond," I wonder? When I first saw that scene, I didn't think much of it, but I think that we should (if we aren't all already) pay very close attention to everything from now on, which Redverse Olivia does tell "us" in "Over There, Part 1" (2.21) when she says, "If you could tell me what you saw; I mean, even small things could be important." I definitely think that we should be listening to her.
Now that Bell (who has, by some, been cleverly referred to as Bellivia) is back (well, for now), he really is so funny. He is mischievous and is incredibly gleeful, like a child. He says that he had never previously imagined how binding a bra would be, and the first time that I saw this episode, I didn't catch that; when I did catch that, I died laughing. He also really seems to like Astrid, if you know what I mean. He tells her that she has really beautiful hands, just in case no one had ever told her that before, and he puts the binding of magnets that he uses as a demonstration for Lincoln on Astrid's wrist as a bracelet, saying that it really suits her, and I love how Astrid then proceeds to button up her shirt. He then smirks mischievously, and this scene is an example of Anna's genius acting talent. I can only imagine how much fun this episode must have been to film, seeing as how they all probably lost control and laughed quite frequently. Bell promises Broyles that he will only be inside of Olivia's body temporarily and says, "You have my word, young man," and I found this interesting, because we know that Bell had had a relationship with Nina, and based on the incredibly strange kiss in "A New Day in the Old Town" (2.01), we can assume that Nina had had some sort of relationship with Broyles, as well, yet Bell refers to him as "young man." Just how old is Broyles?
It is outrageously funny when Bell has the idea of implanting his consciousness inside of Gene. The expression on his face, especially with the glasses, is utterly priceless, and you can see the sinister mischief that is blooming in his mind. I would imagine that Anna and John, particularly, had a lot of fun filming this episode, seeing as how they spent a lot more time together than they usually do. Astrid says on the phone that she can't really figure out what conclusion at which they are arriving because "they're doing that thing again where they don't finish sentences." I would imagine that this was their typical behavior "back in the day" when they were lab partners, which we got a much closer glimpse at in this episode, which makes it a pretty meaningful episode in that sense. We certainly get to know Bell a lot better than we ever have before. He is apparently adventurous, and (as we had already known) likes to experiment. This is why, for a short while near the end of the episode, I thought that he was going to suggest having sex with Peter, figuring that Peter would agree since he is in Olivia's body; I just totally got that vibe when he said that Walter said that it would be a good idea if he stayed there for the night and then offered a cup of tea. I wouldn't put that past Bell; I really wouldn't.
I really like what Bell says at the end of the episode because it opens two different doors of possibilities; either the magnetic charge of the bomb finally made it possible for Dana Grey to die, or she couldn't die prior to the explosion (which was pretty powerful; how was she not blown to smithereens?) because she had a purpose to fulfill, and that purpose was to stop all of those people from dying on the train. Science vs. faith definitely comes into play here (which it also does in regards to Dana connecting the story of Azrael to her own situation), and I think that we also have to wonder whether or not the Observers are involved if Bell's latter thought is true. I do like how Bell's positing of these two ideas is consistent with the season 1 tagline, which is "Imagine the Impossibilities," which is certainly not the first time that that tagline has come into play on the series. Olivia returns, but it's only for a few seconds, and then, Bell says, "I think that I may have been wrong; this may be a little more complicated than I first thought." At first, I said, "Oh, no!" However, I think that all that that probably means is that there is a variable for which Bell didn't account, and now, he needs to make some new considerations. I don't think that Olivia is in any danger, just for the record, but we probably won't be finding out until Fringe returns from its lowatus on April 15th, since "Bloodline" (3.18) is an "over there" episode.
After season 2 had concluded, I feared that Bell would be another Jones, not mentioned even once during the course of the third season, but obviously, I was wrong, which I am really happy about. Leonard Nimoy has even said that he will be returning to the show, and even though I don't yet see how that is possible, this is Fringe, so I have to "imagine the impossibilities," right? What I don't understand about this episode is why Nina is not in it. After all, she and Bell were business partners and lovers, were they not? However, Bell has returned, yet she has no involvement whatsoever and doesn't even "meet" him, so what's up with that? It would be something if Broyles made the decision not to involve her for that very reason, but you would think that there would be a scene in which he explicitly says that, because it is kind of a major point to overlook. I love the look on Broyles' face when Bell introduces himself to Lincoln; it is yet another priceless look, and it is one of agitation and annoyance.
Something that I do absolutely love about this episode is the fact that the Lincoln on this side is finally introduced to us, something for which I have been waiting a long time, since I love Lincoln. This Lincoln is definitely different, and I honestly can't decide which Lincoln I like better, as they each have their charms. I love when he arrives at the lab and sees Gene, obviously wondering why there is a cow in the lab. He later says to Peter that his work with Fringe Division was "a lot more exciting than Hartford," and this makes me wonder whether or not he will be back on the series. I really hope so, and I wish that Seth Gabel would just be regarded as a series regular already. I love the Peter and Lincoln bromance in this episode and really wish that it would develop into something further, even though I know that that obviously is never going to happen. Lincoln, interestingly enough, refers to the Sesame Street song "One of These Things (Is Not Like the Others)," and that's not the first time that that song has been mentioned; the first time is in "Jacksonville" (2.14), when Olivia discovers her ability to identify objects that belong on the Other Side. Overall, despite the annoying convenience of the bearded man who had been sitting next to Dana on the train showing up just in time to say that he recognized her from the photo, this is a really satisfying, emotionally compelling (both really funny and really tragic) episode.
Fringe - "Os" (3.16)
The week before and the week during this episode's airing, I posted on both my Facebook and my Twitter account that LOST fans should tune in to "Os," since Jorge Garcia (who played the part of Hurley) would be guest-starring, and if I did hook any LOST fans who were not Fringe fans, then hopefully, I didn't disappoint you, since he was not in as much of the episode as I was expecting (and I'm sure it wasn't a coincidence that he is in 3.16). The purpose was purely aLOST nod, basically serving no other purpose since he is only in the very first scene, a relatively useless, unimportant scene, but it was a lot of fun seeing him. It definitely gets the LOST fan in me feeling a bit nostalgic, even though Fringe is my love and is considerably better than LOST. I wonder if Walter is still trying to regenerate his brain cells, of if he has given that up due to Bell's "soul magnets" theory giving him a new idea. I ask that for a few reasons. Firstly, he hasn't mentioned the regeneration in a while. Secondly, the "soul magnets" idea seems to be a reasonable substitution. Lastly, while he was quite angry and irritable in "6B" (3.14), he now seems really happy, which I'm sure has a lot to do with Peter and Olivia being together, but that can't be the entire reason, because in "6B," even Astrid irritated him easily, which is not usual by any means.
One observation that I made is that Walter tells Nina what situations would likely be like "if William were here," which is likely supposed to be a parallel to "Peter" (2.15), except now, their roles are reversed. He then breaks the news to Nina that Olivia and Peter are dating, and Nina seems pleasantly surprised and then later tells Peter that he made the right choice, which we know, of course, has a lot to do with what she talks with Sam about at the end of "Concentrate and Ask Again" (3.12). I wonder, however, if they are allowed to be dating via FBI rules and regulations; after all, Walter had apparently been covering the relationship between Peter and Bolivia up (who Peter obviously thought was his Olivia), and when Broyles finds out, he seems very "put off," if you will, which could have just been that he was upset that he wasn't told. In this episode, Olivia has a lot of the same mannerisms as the other Olivia, which is because she is, "for once in her life," happy, and the other Olivia usually seems to be very happy (with the exception of the scene during which Frank breaks up with her, that is, a scene during which we see a glimpse of our Olivia).
Olivia and Peter are so adorable in this episode, behaving like teenage lovebirds, and it's so funny when they walk out of the lab holding hands, and Olivia says, "Don't look now," when she sees Nina approaching. At the same time, though, it was all kind of heartbreaking to watch because I knew that Peter was keeping something from her and was lying to her in the process, and that really made me fear for Olivia's happiness because she always ends up having her heart broken somehow. She was happy with John Scott, and that didn't work out (episode 1.01, "Pilot"). She finally told Peter how she feels, and then she was imprisoned and was therefore not able to go back to her world with him (episode 2.22, "Over There, Part 2"). Then, she finally comes home after months of hell, for lack of a better word, only to find out that Peter had had a relationship with her doppelgänger; needless to say, she really can't afford to endure any more heartbreak. The scene during which Olivia says, "It's about trust, so it's a great game if two people are playing," was difficult to watch because it's easy to see that Olivia is very happy while we, as the viewers, know that Peter is lying to her, and also, the scene is nearly identical to a scene in "Olivia. In the Lab. With the Revolver" (2.16), except in that scene, their roles were reversed; Olivia was keeping something from Peter.
I do, however, have respect for Peter for finally telling Olivia the truth. Again, it is disappointing that Bell's consciousness dominates Olivia's consciousness when it does, not only because she would have otherwise met the Lincoln on this side but also because Peter finally tells Olivia the truth, and now, we aren't going to see her reaction right away. Will she even remember when she comes to (which I read, by the way, won't happen until a couple of episodes down the road)? My thought is that Bell did this when he pulled her over to the Other Side in "There's More than One of Everything" (1.20) and then sent her back, as we see in "Momentum Deferred" (2.04); I think, in fact, that he planned that so that he could store his "soul magnet" inside of her. Like I have said before, I really don't think that Bell is the "nice guy" that we were led to believe he is in "Over There, Part 2" (2.22). After all, he has had a lot to do with the inhumane experiments that have been taking place at Massive Dynamic, as we see in "Of Human Action" (2.07), and he even refers to Olivia in "Over There, Part 2" (2.22) as if she is still a scientific specimen. Now that he is back (based on what we see in the very last scene of this episode and based on the promo of "Stowaway"), it looks like he is still wanting to "play games," if you will.
The case in this episode is kind of interesting, and it was really neat to find out that the two components being combined which produced an ability to float has to do with the physicality of the blueverse beginning to fall apart like that of the redverse. The episode kind of reminds me of "Safe" (1.10), since in that episode, the "bad guys" conduct robberies in an unconventional manner, and Peter even tells a museum employee in this episode that the "bad guys" didn't come in through the front door, as he tells the bank employee in "Safe" that they were able to get around the bank's security blockades. This is yet another "bad guy," however, who seems to have good intentions, which is why I put "bad guy" in quotes. I love the Icarus reference that Walter makes, and it's an allusion that I probably never would have made myself had Walter not made it, and the soda explosion is incredibly hilarious, mainly because of Astrid's reaction, which is actually why Walter is so funny a lot of the time. Despite the incredibly annoying Ford commercial in Olivia's vehicle, this is a decent episode, and I give it 7 Volcanic Colas.
"Nothing Can Impede Serenity" [an NCIS / Fringe Crossover Fanfic]
Sadness hung over the Washington NCIS Headquarters like dark clouds, and Special Agent Leroy Jethro Gibbs' team felt its effects, even Anthony DiNozzo, the class clown. Better known as Tony, he had lost many men in his line of work, but Caitlin Todd, who he had known as Kate, had been a woman, one that had been a very good agent. Even Tony could admit that.
Timothy McGee was much in the same spirits, which wasn't very spirited at all. All he could manage to think about was how the team, the family, would never be the same again, and it didn't seem the least bit odd to him that Tony wasn't cracking any kind of clever jokes about McGee's choice of leisurely activities, which were primarily writing fiction and playing computer games, nor did it seem odd that Tony wasn't making any references to old movies.
The two of them did nothing but sit at their desks as the rain fell outside, sounding like small pellets of glass hitting the window. Even Abby Scituo, the forensic specialist, didn't have a lot to say, and she was usually as chipper as a bird on a rainy morning, and it was a very rainy morning. She may have been wearing a bit more eyeliner than usual, and her hair was tied in pigtails on the sides of her head, her black short-sleeve shirt depicting a very large white skull with crossbones on the front. Abby was sitting at Gibbs' desk, and about ten minutes passed between their arrival and Gibbs' entrance into the room.
“Gibbs,” Abby said, looking up from his desk as he neared. She had perked up a bit.
“Abby,” he said. He wasn't really a man of many words, and if the black blazer that he frequently wore didn't ward people off, then his steely blue eyes usually did. However, he had a soft spot for Abby, who was very much like a daughter to him, him a father to her.
She stood up from the desk and looked at him intently.
“Abbs?” Gibbs said icily. “What is it?”
“I know that I'm going to sound crazy,” Abby proposed, “but there may be a way to bring Kate back.”
Unsure of what to say, Gibbs simply waited for her to continue, and she cleared her throat before continuing.
“For years now, there have been scientific indications that parallel universes are out there. You know, like, other worlds that have other versions of people, people like you, me, McGee, Tony, and, well, you know, Kate.”
Understanding was now recognizable on Gibbs' face, and his frown line became much more pronounced than it already was.
“Abbs,” he said calmly, “you're right. It is crazy. Kate's gone, and that's something that we have to accept. Our job now is to find Ari.”
“But Gibbs,” Abby began, but she was cut off by McGee.
“Abby,” he said, standing up from his desk and approaching the two of them at Gibbs' desk, “even if accomplishing something like that were possible, and I'm not saying that it is, it wouldn't be our right. That Kate would belong there. Besides, it would fundamentally rupture the nature of the universe as we know it.”
“I know,” she said, although she sounded desperate, “but I don't necessarily want to steal her. I just want to tell her everything that I never got the chance to, and we wouldn't do it alone. In fact, we couldn't, but I found someone who could, someone who has.”
Both Gibbs and McGee looked beyond puzzled while Tony stayed at his desk, observing with interest but remaining silent.
Abby lifted a manila envelope from Gibbs' desk and took out a printed sheet of paper, a profile. She handed it to Gibbs, and McGee took a peek at it from Gibbs' side.
“His name is Dr. Walter Bishop,” Abby explained as the two men looked the profile over. “He can help us.”
“Abbs,” Gibbs said patiently, “this guy was incarcerated in an institution for seventeen years.”
“Yeah,” Abby said, nodding, “I know, but he works for the FBI, specifically Fringe Division, with his son and a female agent named Olivia Dunham, and apparently, he has been really helpful.”
“What you're suggesting is beyond insanity,” McGee argued, looking at Abby with both care and confusion. “Abby, I miss Kate, too. We all miss her, but this is crazy.”
“McGee,” Gibbs halted.
“But boss,” McGee started, but Gibbs cut him off with a glare that said more than enough.
“I'll make a call and set up a meeting,” Gibbs said to Abby, handing Bishop's profile back to her. “In the meantime, take it easy, Abbs.”
Smiling, Abby put the profile back in the folder.
“Thanks, Gibbs.”
He nodded, and she left the room, heading to the elevator.
“Boss,” McGee reasoned when Abby was gone, “you can't possibly believe this is possible.”
“No,” Gibbs replied, “no, I don't, McGee, but if going to see these people is going to make Abby at peace, then I'm not going to deny her that. We need her.”
McGee nodded and returned to his desk.
Gibbs went to the NCIS conference room and picked up the phone, dialing the number of one of his best friends, FBI Agent Tobias Fornell.
“Tobias,” he said after Fornell picked up, “I have a favor to ask.”
“Why does that not sound like a very promising proposition?” Fornell asked.
“It can be whatever you want it to be, Tobias.”
“What is it?”
“I need you to tell me what you know about a branch of the FBI,” Gibbs explained. “It's called Fringe Division.”
“Honestly, Gibbs,” Fornell argued, “what would you expect me to know?”
“Well,” Gibbs reasoned, “whatever you don't know, I'm sure you can find out.”
Fornell sighed and then finally said, “I'll see what I can do.”
“Thanks, Tobias.”
The line went dead, but about a half-hour later, as Gibbs was at his desk, Fornell called back.
“Fringe Division's small,” Fornell explained, sharing what he had learned, “very small. It's basically run in a lab in the basement of a Harvard building by an FBI agent Phillip Broyles, used to be a colonel. His team consists of Agent Olivia Dunham and two consultants, Peter Bishop and his father Dr. Walter Bishop. They're assisted by Agent Astrid Farnsworth.”
“What is their purpose?” Gibbs asked.
“To investigate the scientifically unexplainable,” Fornell replied, and Gibbs could hear typing on a keyboard. “Dr. Bishop has a history involving the use of Fringe Science. He was placed in a mental institution for manslaughter. His lab assistant, Dr. Carla Warren, was killed in a lab fire.”
“So, this is a legitimate FBI operation?” Gibbs asked.
“From what I can tell, yes,” Fornell said impatiently. “Gibbs, why are you looking into this?”
“If I need anything else,” Gibbs dismissed him, “I'll let you know. Thanks, Tobias.”
He hung up the phone, and finally, Tony spoke up from across the room, still sitting at his desk.
“Boss,” he said quietly, “what's going on?”
Gibbs sat up from his desk.
“We're going to Boston,” he said, as if it had already been made clear. “That's what's going on.”
The next day
“Harvard?” McGee asked incredulously. The three of them were around Harvard Yard, heading toward the building directly in front of them.
“Yep,” Gibbs replied, “in the basement.”
“A lot of hot stuff around here, Probie,” Tony teased McGee. “You sure you can handle it?”
McGee glared at him. “Tony, not now.”
“What?” Tony responded defensively. “Boss, you said this guy, Dr. Walter Bishop, was locked up for seventeen years in the loony bin.”
“Show some respect,” McGee countered.
“Enough,” Gibbs said, concluding the argument.
McGee and Tony ceased their bickering, and the three of them, now inside the building, headed down the stairs until they found a young woman sitting with a young man on a bench outside of a room. The woman was very beautiful, wearing a woman's black business suit, her long blonde hair tied back in a ponytail. The man was also very attractive, with short brown hair and a small amount of facial hair, wearing blue jeans and a black leather jacket over a striped blue and white button-up shirt. The two of them had obviously been talking, but they immediately stood up when they saw the three of them approaching.
“Hi,” the woman said, smiling pleasantly and extending a hand, “I'm Special Agent Olivia Dunham. Agent Broyles told us that you'd be stopping by.”
Gibbs shook her hand. “Special Agent Leroy Jethro Gibbs, and this is my team, Timothy McGee and Anthony DiNozzo.”
“So, have you, uh, Dunham yet?”Tony asked Olivia, his head gesturing toward Peter.
Olivia began to say something, but McGee cut in, which wasn't entirely necessary, because the cold, angry expression that Gibbs had on his face was certainly far from unbeknownst to Tony, and although Tony was a little more focused on Gibbs at the moment, the man standing with Olivia didn't look too happy, either, looking at Tony like a vile creature.
“Don't mind him,” McGee said.
“I'll try not to,” the man said coldly.
“You must be Dr. Bishop's son,” McGee said, trying to change the subject, as well as the mood, for that matter, “Peter Bishop.”
“That would be me,” Peter said as he walked toward the door and opened it, stepping in. “Come on in. Welcome to the creep show.”
“Oh, oh!” Walter yipped. “Our guests are here! Here, here, I made muffins!”
Walter had a tray of blueberry muffins and offered the muffins to the NCIS team, Tony taking one as he received another cold glare from Gibbs.
“Sorry, boss,” he said, his mouth full.
“I spent all morning make sure that the recipe was right,” Walter said excitedly, an older man with short curly gray hair, with cream-colored pants and a red button up-shirt on under a cream-colored overcoat.
“So,” Peter interjected, “how can we be of service to you gentlemen?”
“Well, honestly, we're not sure that you can be of any,” Gibbs replied, “but we have a member of our team back home, Abby Sciuto, who seems to think that you can be of some.”
“How so?” Olivia asked curiously.
“Well,” McGee said straightforwardly, “this is probably going to sound insane, but she seems convinced that you know something about a parallel universe.”
“We don't mean to waste your time,” Gibbs added, “but Abby's invaluable to us, and we just lost a team member, Kate Todd. Abby is probably taking it the hardest out of all of us, and we need her to be focused, especially now. We simply figured that we could calm her down a bit by seeing you.”
“Gentlemen,” Walter replied, setting the tray of muffins down on a nearby table, “what she says is true.”
“Excuse me?” McGee asked, taken aback.
“However,” Walter quickly added, “we cannot do what your friend is asking.”
“Well,” Gibbs said, “she seems to think that we can, and-”
“It is possible, yes,” Walter said with a dark tone, “but to do what you are asking would cause even more damage, and taking your lost friend could cause some serious problems. You don't even know that your friend would be there. She could have died there, too.”
“Even more?” Tony inquired.
“Excuse me?” Walter asked.
“You said even more damage,” Tony explained. “What did you mean by that?”
“Gentlemen,” Walter said swiftly, changing the subject, “We cannot help you.”
“Listen,” Gibbs pleaded, “if what you're saying truly is possible, she simply wants the chance to see her one last time. That's all we're asking.”
Walter remained silent for quite some time until Peter stepped forward.
“Walter?” Peter asked him. “What are you thinking?”
“The window,” Walter said simply.
“What?”
“The window,” Olivia said, nodding, her arms crossed, “the one that he showed me when he told me about you.”
The NCIS team exchanged glances, aware that they were being kept out of the loop in regards to whatever Fringe Division was talking about at the moment.
“That would be correct,” Walter said, glaring seriously at the NCIS team. “Gentlemen, we may be able to help you after all. I'll tell you how to operate the window, and I will give it to you so that you can bring it back to your friend, but you must return it, and you must not allow anyone else to see it.”
Gibbs nodded. “Okay.”
Walter nodded, as well, and with that, he walked off, Peter first looking at the NCIS team and then following Walter.
That night
The NCIS team waited until everyone had left the office, and once they had, Gibbs entered, having brought the window up the stairs from the team's van. Only the city lights from outside and a few desk-lamps illuminated the office.
“Gibbs,” Abby questioned, standing to McGee's right,“what exactly is this?”
“You'll see, Abbs.”
“Tony,” McGee said, turning to face Tony to his left, “I just wanted to say that you were pretty well-behaved today; I'm proud of you.”
“Thanks, McGoo,” Tony replied, “I figured that I'd give you a chance with that smoking hot blonde, even though you didn't even have a fighting one.”
McGee shook his head, annoyed, but he couldn't help but smile.
Gibbs stood the window up in front of Tony's desk so that Kate's desk was seen through the window, and then, he turned the switch on and backed up, standing right next to Abby, who, looking through the window, gasped.
“Wow!” McGee exclaimed. “Boss, this could change the world. Do you realize what this is?”
“Yes,” Gibbs said, nodding, “I do, but you heard what Dr. Bishop said. We are bringing this back to him tomorrow.”
McGee continued to shake his head in disbelief.
On the other side of the mirror stood Kate, standing next to her desk putting a black jacket on. She was dressed in black leggings with a red skirt and a black and red top, her hair pulled up in a ponytail behind her head. She was smiling broadly at the team, and Abby cried, “Kate! It's me!”
“She can't hear you, Abbs,” Gibbs told her, placing her hands on her shoulders. “It's just a window. I know that this isn't exactly what you wanted, but it's the best we could do.”
It then became clear to them that she was not smiling at them but instead at who had been across from her on the Other Side, as he could now be seen in the frame, having approached from his desk.
“I can't believe it,” McGee said, and Tony was speechless.
Kate and Tony, who was dressed in a black suit and red tie, were hugging. Kate's smile was utterly forgettable, beautiful, and as the two of them kissed and then walked away, Abby was thinking that it was no different than it had been there.






