The first half of the comic is titled "Gene's Dream" and obviously gives us a story involving Gene, Walter's cow (only Walter could get away with having a pet cow in Boston, Massachusetts), but Walter and Peter are in this story, as well. Walter says goodnight to Gene and tells her not to get into any food, so, of course, that is exactly what she does. She gets into the fridge and pilfers some Chinese food, and she consequently has a dream that involves the corpse of Dan Gillespie (a reference, obviously, to "Fracture") attacking her, and chaos ensues. The following day, Peter finds Gillespie's crystallized ear in Gene's droppings, which suggests to us that it is possible that it was not a dream at all, which is utterly ridiculous, even in the world of Fringe. I think that it is much more likely that Gene got hungry and wasn't satisfied by the Chinese food, so she went for seconds, her seconds involving Gillespie's corpse. I do appreciate the reference to "Fracture" (2.03), but that is really the only value that this story has. All we learned is this random little mishap that occurred one night in the lab, but we don't get anything meaningful or anything that gives us any insight whatsoever into the story of Fringe. It is quite frustrating, and while I wasn't expecting much from a comic about Gene's dreams as it was, this was even worse than I was expecting.
The second story is titled "The Perfect Woman,"and I actually disliked this story even more than I did the first. A man is conducting some sort of science experiment, and someone is willing to kill for it (someone that I, at first, thought was Mosley from "The Arrival" (1.04), but his hat doesn't have the green-green-green-red sequence). That person does, in fact, kill for it, killing the man's daughter but failing to kill the man, who survives. The surviving man conducts the experiment on his deceased daughter, apologizing to her for her need to be his first subject. Ultimately, we see that the experiment involved turning her into some sort of sea creature, so she looks like some sort of hybrid between Ursula the Sea Witch and a mossy mermaid, and she gets her revenge by killing the man who killed her, saying that she bets that he didn't think that he would ever be seeing her again, yet here she is. The ultimate fate of her father is not revealed, but his experiment was apparently successful, and she becomes, as the title suggests, "the perfect woman." Yes, we see the traditional Fringe concept of human experimentation, but I still was not happy with this.
First of all, why? Why is this important? Why did we need to see this? I want to feel rewarded for spending the extra money as an exceptional Fringe fan, and usually, I do. For example, prior to "The Bishop Revival" (2.13), I already knew that Walter's father had been a Nazi spy. I also have a lot of insight regarding the days that Walter and Bell were lab partners that someone who merely watches the TV series does not have, and I also know how Astrid was hired as an FBI agent - a very cool story, indeed. This entire comic, however, was pretty much useless; I don't feel enlightened at all, and that is why my Bunsen Burner rating is so low. Even when it has come to episodes that have not been all that great, I was given something. For "The No-Brainer" (1.12), I met the mother of Carla Warren, the lab assistant who was killed in the lab fire, and that story involved Walter and Peter growing closer. For "Night of Desirable Objects" (2.02), I met Sam Weiss. This was just utterly useless, and plus, would someone please explain to me how a cow got into a fridge? The art was great, especially when it comes to the first story (Walter looked exactly like Walter, even though Peter wasn't quite as great), and Gene's art was fantastic, as well. Needless to say, though, out of the twelve total Fringe comics, this is, by far, my least favorite.